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- Micropolyphony abstract "Micropolyphony is a kind of polyphonic musical texture developed by György Ligeti and then imitated by some other twentieth-century composers, which consists of many lines of dense canons moving at different tempos or rhythms, thus resulting in tone clusters vertically. According to David Cope, "micropolyphony resembles cluster chords, but differs in its use of moving rather than static lines"; it is "a simultaneity of different lines, rhythms, and timbres" (Cope 1997, 101).Differences between micropolyphonic texture and conventional polyphonic texture can be explained by Ligeti’s own description:Technically speaking I have always approached musical texture through part-writing. Both Atmosphères and Lontano have a dense canonic structure. But you cannot actually hear the polyphony, the canon. You hear a kind of impenetrable texture, something like a very densely woven cobweb. I have retained melodic lines in the process of composition, they are governed by rules as strict as Palestrina's or those of the Flemish school, but the rules of this polyphony are worked out by me. The polyphonic structure does not come through, you cannot hear it; it remains hidden in a microscopic, underwater world, to us inaudible. I call it micropolyphony (such a beautiful word!). (Ligeti, quoted in Bernard 1994, 238).The earliest example of micropolyphony in Ligeti's work occurs in the second movement (mm 25–37) of his orchestral composition Apparitions (Steinitz 2003, 103). His next work, Atmosphères for orchestra, the first movement of his later Requiem, for soprano, mezzo-soprano, mixed choir, and orchestra, the unaccompanied choral work Lux aeterna, and Lontano for orchestra, also use the technique. Micropolyphony is easier with larger ensembles or polyphonic instruments such as the piano (Cope 1997, 101), though the Poème symphonique for a hundred metronomes creates "micropolyphony of unparallelled complexity" (Griffiths 2001). Many of Ligeti's piano pieces are examples of micropolyphony applied to complex "minimalist" Steve Reich and Pygmy music derived rhythmic schemes.".
- Micropolyphony wikiPageID "371047".
- Micropolyphony wikiPageLength "4130".
- Micropolyphony wikiPageOutDegree "18".
- Micropolyphony wikiPageRevisionID "683826461".
- Micropolyphony wikiPageWikiLink Atmosphères.
- Micropolyphony wikiPageWikiLink Canon_(music).
- Micropolyphony wikiPageWikiLink Category:Musical_texture.
- Micropolyphony wikiPageWikiLink David_Cope.
- Micropolyphony wikiPageWikiLink György_Ligeti.
- Micropolyphony wikiPageWikiLink John_Tyrrell_(musicologist).
- Micropolyphony wikiPageWikiLink Musical_texture.
- Micropolyphony wikiPageWikiLink Part_(music).
- Micropolyphony wikiPageWikiLink Polyphony.
- Micropolyphony wikiPageWikiLink Poème_Symphonique_for_100_metronomes.
- Micropolyphony wikiPageWikiLink Poème_symphonique.
- Micropolyphony wikiPageWikiLink Pygmy_music.
- Micropolyphony wikiPageWikiLink Rhythm.
- Micropolyphony wikiPageWikiLink Simultaneity_(music).
- Micropolyphony wikiPageWikiLink Stanley_Sadie.
- Micropolyphony wikiPageWikiLink Steve_Reich.
- Micropolyphony wikiPageWikiLink Tempo.
- Micropolyphony wikiPageWikiLink Texture_(music).
- Micropolyphony wikiPageWikiLink Timbre.
- Micropolyphony wikiPageWikiLink Tone_cluster.
- Micropolyphony wikiPageWikiLinkText "Micropolyphony".
- Micropolyphony wikiPageWikiLinkText "micropolyphonic".
- Micropolyphony wikiPageWikiLinkText "micropolyphony".
- Micropolyphony hasPhotoCollection Micropolyphony.
- Micropolyphony reference "Bernard, Jonathan W. . "Voice Leading as a Spatial Function in the Music of Ligeti". Music Analysis 13, nos. 2/3 : 227–53.".
- Micropolyphony reference "Griffiths, Paul . "Ligeti, György ". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell, vol. 14 . London: Macmillan Publishers. ISBN 0333608003; ISBN 1561592390.".
- Micropolyphony reference "Steinitz, Richard . György Ligeti: Music of the Imagination. London: Faber and Faber. ISBN 0-571-17631-3; Boston: Northeastern University Press. ISBN 1-55553-551-8.".
- Micropolyphony reference "Várnai, Péter . "Beszélgetések Ligeti Györgyyel", translated by Gabor J. Schabert. In Ligeti in Conversation with Péter Várnai, Josef Häusler, Claude Samuel, and Himself, pp. 13-82. Eulenberg Music Series. London: Eulenberg Books. ISBN 0903873680.".
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- Micropolyphony wikiPageUsesTemplate Template:Music-theory-stub.
- Micropolyphony wikiPageUsesTemplate Template:Quote.
- Micropolyphony wikiPageUsesTemplate Template:Texture_(music).
- Micropolyphony wikiPageUsesTemplate Template:Wikicite.
- Micropolyphony subject Category:Musical_texture.
- Micropolyphony hypernym Kind.
- Micropolyphony type Article.
- Micropolyphony type Article.
- Micropolyphony comment "Micropolyphony is a kind of polyphonic musical texture developed by György Ligeti and then imitated by some other twentieth-century composers, which consists of many lines of dense canons moving at different tempos or rhythms, thus resulting in tone clusters vertically.".
- Micropolyphony label "Micropolyphony".
- Micropolyphony sameAs Mikropolyphonie.
- Micropolyphony sameAs Mikropolifonio.
- Micropolyphony sameAs Micropolifonía.
- Micropolyphony sameAs Mikropolüfoonia.
- Micropolyphony sameAs Mikropolifónia.
- Micropolyphony sameAs Micropolifonia.
- Micropolyphony sameAs ミクロポリフォニー.
- Micropolyphony sameAs m.020ft9.
- Micropolyphony sameAs Микрополифония.
- Micropolyphony sameAs Мікрополіфонія.
- Micropolyphony sameAs Q183083.
- Micropolyphony sameAs Q183083.
- Micropolyphony wasDerivedFrom Micropolyphony?oldid=683826461.
- Micropolyphony isPrimaryTopicOf Micropolyphony.