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- Hypolocrian_mode abstract "The Hypolocrian mode is an almost entirely theoretical mode, introduced into chant theory in the 19th century by the editors of the Pustet-Ratisbon, Mechlin, and Rheims-Cambrai Office-Books, who designated it mode 12. It is the plagal counterpart to the authentic Locrian mode, mode 11 in that system of numbering, in which the Ionian and Hypoionian become modes 13 and 14 (Rockstro 1880b, 342). The ambitus of the mode lies between F and the F an octave higher, divided at the final, B. Its reciting tone (or tenor), is E, and its mediant is D. It has two participants, G and C. Although a few plainchant melodies, as well as polyphonic compositions, have been attributed to this mode by some writers, it will generally be found that they are really derived, by transposition, from some other tonality (Rockstro 1880a).".
- Hypolocrian_mode thumbnail Lydian_mode_F.png?width=300.
- Hypolocrian_mode wikiPageID "24941269".
- Hypolocrian_mode wikiPageLength "1997".
- Hypolocrian_mode wikiPageOutDegree "17".
- Hypolocrian_mode wikiPageRevisionID "622983924".
- Hypolocrian_mode wikiPageWikiLink Ambitus.
- Hypolocrian_mode wikiPageWikiLink Authentic_mode.
- Hypolocrian_mode wikiPageWikiLink Cambrai.
- Hypolocrian_mode wikiPageWikiLink Category:Modes.
- Hypolocrian_mode wikiPageWikiLink Gregorian_mode.
- Hypolocrian_mode wikiPageWikiLink Hypoionian_mode.
- Hypolocrian_mode wikiPageWikiLink Ionian_mode.
- Hypolocrian_mode wikiPageWikiLink Karl_Gustav_Fellerer.
- Hypolocrian_mode wikiPageWikiLink Locrian_mode.
- Hypolocrian_mode wikiPageWikiLink Mechelen.
- Hypolocrian_mode wikiPageWikiLink Mode_(music).
- Hypolocrian_mode wikiPageWikiLink Plagal_mode.
- Hypolocrian_mode wikiPageWikiLink Plainsong.
- Hypolocrian_mode wikiPageWikiLink Pustet.
- Hypolocrian_mode wikiPageWikiLink Ratisbon.
- Hypolocrian_mode wikiPageWikiLink Reciting_tone.
- Hypolocrian_mode wikiPageWikiLink Regensburg.
- Hypolocrian_mode wikiPageWikiLink Reims.
- Hypolocrian_mode wikiPageWikiLink Rheims.
- Hypolocrian_mode wikiPageWikiLink File:Lydian_mode_F.png.
- Hypolocrian_mode hasPhotoCollection Hypolocrian_mode.
- Hypolocrian_mode reference "Fellerer, Karl Gustav. 1982. "Kirchenmusikalische Reformbestrebungen um 1800". Analecta musicologica: Veröffentlichungen der Musikgeschichtlichen Abteilung des Deutschen Historischen Instituts in Rom 21:393–408.".
- Hypolocrian_mode reference "Rockstro, W[illiam] S[myth]. 1880a. "Locrian Mode". A Dictionary of Music and Musicians , by Eminent Writers, English and Foreign, vol. 2, edited by George Grove, D. C. L., 158. London: Macmillan and Co.".
- Hypolocrian_mode reference "Rockstro, W[illiam] S[myth]. 1880b. "Modes, the Ecclesiastical". A Dictionary of Music and Musicians , by Eminent Writers, English and Foreign, vol. 2, edited by George Grove, D. C. L., 340–43. London: Macmillan and Co.".
- Hypolocrian_mode wikiPageUsesTemplate Template:Audio.
- Hypolocrian_mode wikiPageUsesTemplate Template:Harv.
- Hypolocrian_mode wikiPageUsesTemplate Template:Modes.
- Hypolocrian_mode wikiPageUsesTemplate Template:Wikicite.
- Hypolocrian_mode subject Category:Modes.
- Hypolocrian_mode type Mode.
- Hypolocrian_mode type Scale.
- Hypolocrian_mode comment "The Hypolocrian mode is an almost entirely theoretical mode, introduced into chant theory in the 19th century by the editors of the Pustet-Ratisbon, Mechlin, and Rheims-Cambrai Office-Books, who designated it mode 12. It is the plagal counterpart to the authentic Locrian mode, mode 11 in that system of numbering, in which the Ionian and Hypoionian become modes 13 and 14 (Rockstro 1880b, 342). The ambitus of the mode lies between F and the F an octave higher, divided at the final, B.".
- Hypolocrian_mode label "Hypolocrian mode".
- Hypolocrian_mode sameAs m.09gb5kd.
- Hypolocrian_mode sameAs Q5959732.
- Hypolocrian_mode sameAs Q5959732.
- Hypolocrian_mode wasDerivedFrom Hypolocrian_mode?oldid=622983924.
- Hypolocrian_mode depiction Lydian_mode_F.png.
- Hypolocrian_mode isPrimaryTopicOf Hypolocrian_mode.