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- Flâneur abstract "Flâneur (pronounced: [flɑnœʁ]), from the French noun flâneur, means "stroller", "lounger", "saunterer", or "loafer". Flânerie refers to the act of strolling, with all of its accompanying associations. A near-synonym is boulevardier.The flâneur was, first of all, a literary type from 19th century France, essential to any picture of the streets of Paris. The word carried a set of rich associations: the man of leisure, the idler, the urban explorer, the connoisseur of the street. It was Walter Benjamin, drawing on the poetry of Charles Baudelaire, who made this figure the object of scholarly interest in the 20th century, as an emblematic archetype of urban, modern experience. Following Benjamin, the flâneur has become an important symbol for scholars, artists and writers.".
- Flâneur thumbnail Rosler-LeFlaneur.jpg?width=300.
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- Flâneur wikiPageWikiLink Amateur.
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- Flâneur wikiPageWikiLink Architecture.
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- Flâneur wikiPageWikiLink Baron_Haussmann.
- Flâneur wikiPageWikiLink Bourgeoisie.
- Flâneur wikiPageWikiLink Category:19th-century_fashion.
- Flâneur wikiPageWikiLink Category:French_words_and_phrases.
- Flâneur wikiPageWikiLink Category:Human_behavior.
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- Flâneur wikiPageWikiLink Charles_Augustin_Sainte-Beuve.
- Flâneur wikiPageWikiLink Charles_Baudelaire.
- Flâneur wikiPageWikiLink Consumer_capitalism.
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- Flâneur wikiPageWikiLink De_Profundis_(letter).
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- Flâneur wikiPageWikiLink France.
- Flâneur wikiPageWikiLink French_Revolution_of_1848.
- Flâneur wikiPageWikiLink Georg_Simmel.
- Flâneur wikiPageWikiLink Georges-Eugène_Haussmann.
- Flâneur wikiPageWikiLink Grand_dictionnaire_universel_du_XIXe_siècle.
- Flâneur wikiPageWikiLink Honoré_de_Balzac.
- Flâneur wikiPageWikiLink Industrial_Revolution.
- Flâneur wikiPageWikiLink Leisure.
- Flâneur wikiPageWikiLink Marxism.
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- Flâneur wikiPageWikiLink Napoleon_III.
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- Flâneur wikiPageWikiLink On_Photography.
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- Flâneur wikiPageWikiLink Paris.
- Flâneur wikiPageWikiLink Psychogeography.
- Flâneur wikiPageWikiLink Robert_Walser_(writer).
- Flâneur wikiPageWikiLink Sainte-Beuve.
- Flâneur wikiPageWikiLink Street_photography.
- Flâneur wikiPageWikiLink Susan_Buck-Morss.
- Flâneur wikiPageWikiLink Susan_Sontag.
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- Flâneur wikiPageWikiLink The_Metropolis_and_Mental_Life.
- Flâneur wikiPageWikiLink Tourism.
- Flâneur wikiPageWikiLink Urban_planning.
- Flâneur wikiPageWikiLink Walter_Benjamin.
- Flâneur wikiPageWikiLink File:Rosler-LeFlaneur.jpg.
- Flâneur wikiPageWikiLinkText ""flaneur"".
- Flâneur wikiPageWikiLinkText ""something of a boulevardier"".
- Flâneur wikiPageWikiLinkText "''flânerie''".
- Flâneur wikiPageWikiLinkText "Flâneur".
- Flâneur wikiPageWikiLinkText "boulevardier".
- Flâneur wikiPageWikiLinkText "flaneries".
- Flâneur wikiPageWikiLinkText "flânerie".
- Flâneur wikiPageWikiLinkText "flâneur".
- Flâneur hasPhotoCollection Flâneur.
- Flâneur sign Georg_Simmel.
- Flâneur sign Susan_Sontag.
- Flâneur sign "Charles Baudelaire".
- Flâneur sign "Victor Fournel".
- Flâneur sign "Walter Benjamin".
- Flâneur source ""Paris: the capital of the nineteenth century" , in Charles Baudelaire: a lyric poet in the era of high capitalism)".
- Flâneur source ""The Metropolis and Mental Life"".
- Flâneur source ""The Painter of Modern Life", . Orig. published in Le Figaro, in 1863.".
- Flâneur source "Ce qu'on voit dans les rues de Paris".
- Flâneur source "On Photography, pg. 55".
- Flâneur text "The crowd is his element, as the air is that of birds and water of fishes. His passion and his profession are to become one flesh with the crowd. For the perfect flâneur, for the passionate spectator, it is an immense joy to set up house in the heart of the multitude, amid the ebb and flow of movement, in the midst of the fugitive and the infinite. To be away from home and yet to feel oneself everywhere at home; to see the world, to be at the centre of the world, and yet to remain hidden from the world—impartial natures which the tongue can but clumsily define. The spectator is a prince who everywhere rejoices in his incognito. The lover of life makes the whole world his family, just like the lover of the fair sex who builds up his family from all the beautiful women that he has ever found, or that are or are not—to be found; or the lover of pictures who lives in a magical society of dreams painted on canvas. Thus the lover of universal life enters into the crowd as though it were an immense reservoir of electrical energy. Or we might liken him to a mirror as vast as the crowd itself; or to a kaleidoscope gifted with consciousness, responding to each one of its movements and reproducing the multiplicity of life and the flickering grace of all the elements of life.".
- Flâneur text "The crowd was the veil from behind which the familiar city as phantasmagoria beckoned to the flâneur. In it, the city was now landscape, now a room. And both of these went into the construction of the department store, which made use of flânerie itself in order to sell goods. The department store was the flâneur's final coup. As flâneurs, the intelligensia came into the market place. As they thought, to observe it—but in reality it was already to find a buyer. In this intermediary stage [...] they took the form of the bohème. To the uncertainty of their economic position corresponded the uncertainty of their political function.".
- Flâneur text "The deepest problems of modern life derive from the claim of the individual to preserve the autonomy and individuality of his existence in the face of overwhelming social forces, of historical heritage, of external culture, and of the technique of life. The fight with nature which primitive man has to wage for his bodily existence attains in this modern form its latest transformation. The eighteenth century called upon man to free himself of all the historical bonds in the state and in religion, in morals and in economics. Man's nature, originally good and common to all, should develop unhampered. In addition to more liberty, the nineteenth century demanded the functional specialization of man and his work; this specialization makes one individual incomparable to another, and each of them indispensable to the highest possible extent. However, this specialization makes each man the more directly dependent upon the supplementary activities of all others. Nietzsche sees the full development of the individual conditioned by the most ruthless struggle of individuals; socialism believes in the suppression of all competition for the same reason. Be that as it may, in all these positions the same basic motive is at work: the person resists being leveled down and worn out by a social-technological mechanism. An inquiry into the inner meaning of specifically modern life and its products, into the soul of the cultural body, so to speak, must seek to solve the equation which structures like the metropolis set up between the individual and the super-individual contents of life.".
- Flâneur text "The photographer is an armed version of the solitary walker reconnoitering, stalking, cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes. Adept of the joys of watching, connoisseur of empathy, the flâneur finds the world "picturesque."".
- Flâneur text "This man is a roving and impassioned daguerreotype that preserves the least traces, and on which are reproduced, with their changing reflections, the course of things, the movement of the city, the multiple physiognomy of the public spirit, the confessions, antipathies, and admirations of the crowd.".
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