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- Duration_series abstract "A duration row or duration series is an ordering of a set of durations, in analogy with the tone row or twelve-tone set.Olivier Messiaen's "Mode de valeurs et d'intensités" is often cited as the first serial piece, but, as well as being predated by Babbitt, both lacks order and views each note as a unit, rather than composing each parameter separately. Messiaen had, however, previously used this chromatic duration series as an ordered set in the opening episode of "Turangalîla 2", a movement from the Turangalîla-Symphonie (1946–48).In 1946 Milton Babbitt wrote "The Function of Set Structures in the Twelve-Tone System", outlining a theory of complete (total) serialism. Babbitt's Three Compositions for Piano (1947–48) uses the rhythmic set 5-1-4-2 (sum: 12), whose permutation and function varies with each piece. In the first piece this governs the number of attacks within phrases, in the second rhythms are generated as multiples of a unit. (for example: 5×sixteenth note, 1×sixteenth note, etc.)Babbitt's Composition for Four Instruments (1948) uses a four-element duration row: 1 4 3 2 (the second note is four times the duration of the first, etc.). The duration of the initial note changes every phrase, varying the durations throughout the piece. Babbitt's Composition for Twelve Instruments (1948) uses a twelve-element duration set to serialize the rhythms as well as the pitches. He would later employ an approach based on time-points.Babbitt's use of rhythm in the latter piece was criticized by Peter Westergaard in Perspectives of New Music: "can we be expected to hear a family resemblance between a dotted half note followed by a sixteenth note (the opening 'interval' of duration set P0) and an eighth note followed by a dotted eighth note (the opening 'interval' of duration set P2)?"Pierre Boulez used the values in Messiaen's piece to order the rhythms in his Structures I (1952). These range from a demisemiquaver (thirty-second note, 1) to a dotted crotchet (dotted quarter note., 12). In Structures Ic, for example, successive durations may be used for successive pitches of a row, or each pitch row may use only one duration, while in Ib new methods are constantly invented.In 1957 Karlheinz Stockhausen described this additive series as "a subharmonic proportional series" which, "compared to a scale constructed of chromatic intervals, … is a mode", and criticized it because the intervals between successive degrees are perceived as having different sizes (unlike the chromatic scale of pitches). For example, the first four notes equal about 13% of the total duration while the last four equal over 53% (each being 33% of the values). A duration set based on the harmonic series would introduce irrational values.".
- Duration_series wikiPageID "37240051".
- Duration_series wikiPageLength "5928".
- Duration_series wikiPageOutDegree "26".
- Duration_series wikiPageRevisionID "587847874".
- Duration_series wikiPageWikiLink Aspect_of_music.
- Duration_series wikiPageWikiLink Category:Rhythm_and_meter.
- Duration_series wikiPageWikiLink Category:Serialism.
- Duration_series wikiPageWikiLink Chromatic_scale.
- Duration_series wikiPageWikiLink Composition_for_Four_Instruments.
- Duration_series wikiPageWikiLink Composition_for_Twelve_Instruments.
- Duration_series wikiPageWikiLink Duration_(music).
- Duration_series wikiPageWikiLink File:Nono_-_Variazioni_canoniche,_rhythmic_values_row.png.
- Duration_series wikiPageWikiLink Harmonic_series_(music).
- Duration_series wikiPageWikiLink Irrational_rhythm.
- Duration_series wikiPageWikiLink Karlheinz_Stockhausen.
- Duration_series wikiPageWikiLink Milton_Babbitt.
- Duration_series wikiPageWikiLink Mode_(music).
- Duration_series wikiPageWikiLink Olivier_Messiaen.
- Duration_series wikiPageWikiLink Parameter_(music).
- Duration_series wikiPageWikiLink Perspectives_of_New_Music.
- Duration_series wikiPageWikiLink Peter_Westergaard.
- Duration_series wikiPageWikiLink Pierre_Boulez.
- Duration_series wikiPageWikiLink Quatre_études_de_rythme.
- Duration_series wikiPageWikiLink Serialism.
- Duration_series wikiPageWikiLink Set_(music).
- Duration_series wikiPageWikiLink Structures_(Boulez).
- Duration_series wikiPageWikiLink Structures_I.
- Duration_series wikiPageWikiLink Time-point.
- Duration_series wikiPageWikiLink Time_point.
- Duration_series wikiPageWikiLink Tone_row.
- Duration_series wikiPageWikiLink Tuplet.
- Duration_series wikiPageWikiLink Turangalîla-Symphonie.
- Duration_series wikiPageWikiLink Twelve-tone_technique.
- Duration_series wikiPageWikiLink Undertone_series.
- Duration_series wikiPageWikiLinkText "Duration series".
- Duration_series wikiPageWikiLinkText "duration row".
- Duration_series wikiPageWikiLinkText "duration scale".
- Duration_series wikiPageWikiLinkText "duration series".
- Duration_series wikiPageWikiLinkText "duration set".
- Duration_series hasPhotoCollection Duration_series.
- Duration_series wikiPageUsesTemplate Template:Music.
- Duration_series wikiPageUsesTemplate Template:Reflist.
- Duration_series wikiPageUsesTemplate Template:Twelve-tone_technique.
- Duration_series subject Category:Rhythm_and_meter.
- Duration_series subject Category:Serialism.
- Duration_series type Composition.
- Duration_series comment "A duration row or duration series is an ordering of a set of durations, in analogy with the tone row or twelve-tone set.Olivier Messiaen's "Mode de valeurs et d'intensités" is often cited as the first serial piece, but, as well as being predated by Babbitt, both lacks order and views each note as a unit, rather than composing each parameter separately.".
- Duration_series label "Duration series".
- Duration_series sameAs m.0n51t8y.
- Duration_series sameAs Q5316269.
- Duration_series sameAs Q5316269.
- Duration_series wasDerivedFrom Duration_series?oldid=587847874.
- Duration_series isPrimaryTopicOf Duration_series.