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- Corporeal_mime abstract "One subgroup of physical theater is corporeal mime. Its objective is to place drama inside the moving human body, rather than to substitute gesture for speech as in pantomime. In this medium, the mime must apply to physical movement those principles that are at the heart of drama: pause, hesitation, weight, resistance and surprise. Corporeal mime accentuates the vital importance of the body and physical action on stage. Etienne Decroux’s dramatic corporeal mime is taking the body as a main means of expression and the actor as a starting point for creation with the aim of “making the invisible visible” (Etienne Decroux), of allowing the actor to show thought through movement. |Art of movement rather than art of silence, dramatic corporeal mime is first of all the art of the actor/actress. An actor, whatever his artistic ambition might be, must, before all, be present, “be” on stage and this presence is shown through the body. The body is what sustains the costume, what the spectator sees, what carries the voice. It is the skeleton, the hand in the glove. |It was developed primarily by Étienne Decroux, who was heavily influenced by his training with Jacques Copeau at the Ecole du Vieux-Colombier. He created this method and technique for creative performers wishing to transform their ideas into a physical reality, in order to devise a new style of theater "making visible the invisible," as Decroux put it.The objectives of corporeal mime are to enable the actor to become more autonomous in creating metaphor-based physical theater pieces, which may include text, but are not based on text, i.e., to give the actor greater access to physical metaphors in work in traditional plays, and to increase the actor's strength, agility, flexibility and imaginative powers. While Decroux’s movement style was quite different from the commedia dell'arte from which 19th century pantomime took as its model, Decroux was influenced by this classical art form. Decroux worked extensively with Piccolo Teatro (Milan), training actors and choreographing Arlecchino an adaptation of Goldoni's Servant of Two Masters directed by Giorgio Strehler. Coincidentally, Jacques Lecoq, another famous mime teacher worked as a movement teacher at Piccolo Teatro until he was succeeded by Decroux.Unlike classical pantomime, corporeal mime was also no longer an anecdotal art that used conventional gestures to create illusions of objects or persons. Corporeal mimes seek to express abstract and universal ideas and emotions through codified movements of the entire body (but most especially the trunk—the face and hands are confined to a secondary role in this movement form) Some corporeal mimes write their own texts, as did the Greek mime-authors, integrating the mime-actor's art with the author's. They also include props, costumes, masks, lighting effects and music. Because it contains movement expression along with other elements, it is often loosely alluded to as physical or movement theater.".
- Corporeal_mime wikiPageExternalLink www.pantomimes-mimes.com.
- Corporeal_mime wikiPageExternalLink pantomime-books.php.
- Corporeal_mime wikiPageID "6398151".
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- Corporeal_mime wikiPageOutDegree "22".
- Corporeal_mime wikiPageRevisionID "647654757".
- Corporeal_mime wikiPageWikiLink Adam_Darius.
- Corporeal_mime wikiPageWikiLink Carlo_Goldoni.
- Corporeal_mime wikiPageWikiLink Category:Mime.
- Corporeal_mime wikiPageWikiLink Category:Theatrical_genres.
- Corporeal_mime wikiPageWikiLink Codified_movement.
- Corporeal_mime wikiPageWikiLink Commedia_dellarte.
- Corporeal_mime wikiPageWikiLink Ecole_du_Vieux-Colombier.
- Corporeal_mime wikiPageWikiLink Floating_(dance).
- Corporeal_mime wikiPageWikiLink Giorgio_Strehler.
- Corporeal_mime wikiPageWikiLink Goldoni.
- Corporeal_mime wikiPageWikiLink Jacques_Copeau.
- Corporeal_mime wikiPageWikiLink Jacques_Lecoq.
- Corporeal_mime wikiPageWikiLink Liquid_and_digits.
- Corporeal_mime wikiPageWikiLink Mime_artist.
- Corporeal_mime wikiPageWikiLink Mummers_Play.
- Corporeal_mime wikiPageWikiLink Mummers_play.
- Corporeal_mime wikiPageWikiLink Pantomime.
- Corporeal_mime wikiPageWikiLink Physical_theater.
- Corporeal_mime wikiPageWikiLink Physical_theatre.
- Corporeal_mime wikiPageWikiLink Piccolo_Teatro_(Milan).
- Corporeal_mime wikiPageWikiLink Popping.
- Corporeal_mime wikiPageWikiLink Turfing.
- Corporeal_mime wikiPageWikiLink Étienne_Decroux.
- Corporeal_mime wikiPageWikiLinkText "Corporeal mime".
- Corporeal_mime wikiPageWikiLinkText "corporeal mime".
- Corporeal_mime hasPhotoCollection Corporeal_mime.
- Corporeal_mime wikiPageUsesTemplate Template:Reflist.
- Corporeal_mime subject Category:Mime.
- Corporeal_mime subject Category:Theatrical_genres.
- Corporeal_mime hypernym Mime.
- Corporeal_mime type Article.
- Corporeal_mime type Genre.
- Corporeal_mime type Person.
- Corporeal_mime type Article.
- Corporeal_mime type Genre.
- Corporeal_mime comment "One subgroup of physical theater is corporeal mime. Its objective is to place drama inside the moving human body, rather than to substitute gesture for speech as in pantomime. In this medium, the mime must apply to physical movement those principles that are at the heart of drama: pause, hesitation, weight, resistance and surprise. Corporeal mime accentuates the vital importance of the body and physical action on stage.".
- Corporeal_mime label "Corporeal mime".
- Corporeal_mime sameAs Mime_corporel_dramatique.
- Corporeal_mime sameAs Mimo_corporal.
- Corporeal_mime sameAs Mime_corporel_dramatique.
- Corporeal_mime sameAs m.0g3xm8.
- Corporeal_mime sameAs Q488074.
- Corporeal_mime sameAs Q488074.
- Corporeal_mime wasDerivedFrom Corporeal_mime?oldid=647654757.
- Corporeal_mime isPrimaryTopicOf Corporeal_mime.