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- Concret_PH abstract "Concret PH (1958) is a musique concrète piece by Iannis Xenakis, originally created for the Philips Pavilion (designed by Xenakis as Le Corbusier's assistant) and heard as audiences entered and exited the building (PH = paraboloïdes hyperboliques, concret = reinforced concrete/musique concrète). Edgard Varèse's Poème électronique was played once they were inside the building.At 2 1/2 minutes long and focused primarily on density, Concret PH was created in the Philips office in Paris (Varèse having exclusive access to the studio with spatialization capabilities established in Eindhoven) or at the Groupe de Recherches Musicales. The only sound source is burning charcoal, cut into one-second fragments, with numerous transpositions and overdubs, a granular texture from which Xenakis creates a continuum. Using slight manipulation, the main techniques where splicing, tape speed change, and mixing. The piece was composed intuitively, rather than being guided by mathematical processes. In the Philips Pavilion, it was projected over 425 loudspeakers through an 11-channel sound system. Xenakis described the effect as "lines of sound moving in complex paths from point to point in space, like needles darting from everywhere."Start with a sound made up of many particles, then see how you can make it change imperceptibly, growing and developing, until an entirely new sound results... This was in defiance of the usual manner of working with concrète sounds. Most of the musique concrète which had been produced up to the time of Concret PH is full of many abrupt changes and juxtaposed sections without transitions. This happened because the original recorded sounds used by the composers consisted of a block of one kind of sound, then a block of another, and did not extend beyond this. I seek extremely rich sound (many high overtones) that have a long duration, yet with much internal change and variety. Also, I explore the realm of extremely faint sounds highly amplified. There is usually no electronic alteration of the original sound, since an operation such as filtering diminished the richness.".
- Concret_PH wikiPageID "37200313".
- Concret_PH wikiPageLength "3171".
- Concret_PH wikiPageOutDegree "19".
- Concret_PH wikiPageRevisionID "640241434".
- Concret_PH wikiPageWikiLink Audio_mixing_(recorded_music).
- Concret_PH wikiPageWikiLink Category:1958_compositions.
- Concret_PH wikiPageWikiLink Category:Musique_concrète.
- Concret_PH wikiPageWikiLink Category:Spatialization.
- Concret_PH wikiPageWikiLink Charcoal.
- Concret_PH wikiPageWikiLink Edgard_Varèse.
- Concret_PH wikiPageWikiLink Granular_synthesis.
- Concret_PH wikiPageWikiLink Groupe_de_Recherches_Musicales.
- Concret_PH wikiPageWikiLink Hyperbolic_paraboloid.
- Concret_PH wikiPageWikiLink Iannis_Xenakis.
- Concret_PH wikiPageWikiLink Le_Corbusier.
- Concret_PH wikiPageWikiLink Musique_concrète.
- Concret_PH wikiPageWikiLink Overdub.
- Concret_PH wikiPageWikiLink Overdubbing.
- Concret_PH wikiPageWikiLink Paraboloid.
- Concret_PH wikiPageWikiLink Philips_Pavilion.
- Concret_PH wikiPageWikiLink Pitch_shift.
- Concret_PH wikiPageWikiLink Poème_électronique.
- Concret_PH wikiPageWikiLink Reel-to-reel_audio_tape_recording.
- Concret_PH wikiPageWikiLink Reinforced_concrete.
- Concret_PH wikiPageWikiLink Spatial_music.
- Concret_PH wikiPageWikiLinkText "Concret PH".
- Concret_PH hasPhotoCollection Concret_PH.
- Concret_PH wikiPageUsesTemplate Template:Composition-stub.
- Concret_PH wikiPageUsesTemplate Template:Iannis_Xenakis.
- Concret_PH wikiPageUsesTemplate Template:Quote.
- Concret_PH wikiPageUsesTemplate Template:Reflist.
- Concret_PH subject Category:1958_compositions.
- Concret_PH subject Category:Musique_concrète.
- Concret_PH subject Category:Spatialization.
- Concret_PH hypernym Piece.
- Concret_PH type ClassicalMusicComposition.
- Concret_PH type MusicalWork.
- Concret_PH type Work.
- Concret_PH type Composition.
- Concret_PH type Work.
- Concret_PH type CreativeWork.
- Concret_PH type Thing.
- Concret_PH type Q2188189.
- Concret_PH type Q386724.
- Concret_PH comment "Concret PH (1958) is a musique concrète piece by Iannis Xenakis, originally created for the Philips Pavilion (designed by Xenakis as Le Corbusier's assistant) and heard as audiences entered and exited the building (PH = paraboloïdes hyperboliques, concret = reinforced concrete/musique concrète).".
- Concret_PH label "Concret PH".
- Concret_PH sameAs m.0n538zy.
- Concret_PH sameAs Q5159029.
- Concret_PH sameAs Q5159029.
- Concret_PH wasDerivedFrom Concret_PH?oldid=640241434.
- Concret_PH isPrimaryTopicOf Concret_PH.