Matches in DBpedia 2016-04 for { ?s ?p "The Violin Concerto in A minor, Op. 53 (B.108), is a concerto for violin and orchestra composed by Antonín Dvořák in 1879. It was premiered in Prague in 1883 by František Ondříček, who also gave the Vienna and London premieres. Today it remains an important work in the violin repertoire.The concerto's structure is the classical three movements of fast-slow-fast. Allegro ma non troppo Adagio ma non troppo Finale: Allegro giocoso ma non troppoDvořák was inspired to write the concerto after meeting Joseph Joachim in 1878, and composed the work with the intention of dedicating it him. However, when he finished the concerto in 1879, Joachim became skeptical about it. Joachim was a strict classicist and objected, inter alia, to Dvořák's abrupt truncation of the first movement's orchestral tutti. Joachim also didn't like the fact that the recapitulation was cut short and that it led directly to the slow second movement. It is also assumed that he was upset with the persistent repetition found in the third movement. However, Joachim never said anything outright and instead claimed to be editing the solo part. He never actually performed the piece in public."@en }
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- Violin_Concerto_(Dvořák) abstract "The Violin Concerto in A minor, Op. 53 (B.108), is a concerto for violin and orchestra composed by Antonín Dvořák in 1879. It was premiered in Prague in 1883 by František Ondříček, who also gave the Vienna and London premieres. Today it remains an important work in the violin repertoire.The concerto's structure is the classical three movements of fast-slow-fast. Allegro ma non troppo Adagio ma non troppo Finale: Allegro giocoso ma non troppoDvořák was inspired to write the concerto after meeting Joseph Joachim in 1878, and composed the work with the intention of dedicating it him. However, when he finished the concerto in 1879, Joachim became skeptical about it. Joachim was a strict classicist and objected, inter alia, to Dvořák's abrupt truncation of the first movement's orchestral tutti. Joachim also didn't like the fact that the recapitulation was cut short and that it led directly to the slow second movement. It is also assumed that he was upset with the persistent repetition found in the third movement. However, Joachim never said anything outright and instead claimed to be editing the solo part. He never actually performed the piece in public.".