Matches in DBpedia 2016-04 for { ?s ?p "The Cortile del Belvedere, the Belvedere Courtyard, designed by Donato Bramante from 1506 onward, was a major architectural work of the High Renaissance at the Vatican Palace in Rome; its concept and details reverberating in courtyard design, formalized piazzas and garden plans throughout Western Europe for centuries. Conceived as a single enclosed space, the long Belvedere court connected the Vatican Palace with the Villa Belvedere in a series of terraces connected by stairs, and was contained on its sides by narrow wings. Bramante did not see the work completed, and before the end of the sixteenth century it had been irretrievably altered by a building across the court, dividing it into two separate courtyards."@en }
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- Cortile_del_Belvedere abstract "The Cortile del Belvedere, the Belvedere Courtyard, designed by Donato Bramante from 1506 onward, was a major architectural work of the High Renaissance at the Vatican Palace in Rome; its concept and details reverberating in courtyard design, formalized piazzas and garden plans throughout Western Europe for centuries. Conceived as a single enclosed space, the long Belvedere court connected the Vatican Palace with the Villa Belvedere in a series of terraces connected by stairs, and was contained on its sides by narrow wings. Bramante did not see the work completed, and before the end of the sixteenth century it had been irretrievably altered by a building across the court, dividing it into two separate courtyards.".
- Q2547111 abstract "The Cortile del Belvedere, the Belvedere Courtyard, designed by Donato Bramante from 1506 onward, was a major architectural work of the High Renaissance at the Vatican Palace in Rome; its concept and details reverberating in courtyard design, formalized piazzas and garden plans throughout Western Europe for centuries. Conceived as a single enclosed space, the long Belvedere court connected the Vatican Palace with the Villa Belvedere in a series of terraces connected by stairs, and was contained on its sides by narrow wings. Bramante did not see the work completed, and before the end of the sixteenth century it had been irretrievably altered by a building across the court, dividing it into two separate courtyards.".