Matches in DBpedia 2016-04 for { ?s ?p "The Captive Slave is a portrait painted by the artist John Simpson (1782–1847), which was first exhibited in London in 1827. It shows a man, manacled, on a stone bench and looking pensively or plaintively upward. Its subject matter, historical period, and mode of creation suggest the artist intended the painting as a statement against slavery. Until acquired by the Art Institute of Chicago in 2008, it had not been displayed to the public for 180 years."@en }
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- The_Captive_Slave abstract "The Captive Slave is a portrait painted by the artist John Simpson (1782–1847), which was first exhibited in London in 1827. It shows a man, manacled, on a stone bench and looking pensively or plaintively upward. Its subject matter, historical period, and mode of creation suggest the artist intended the painting as a statement against slavery. Until acquired by the Art Institute of Chicago in 2008, it had not been displayed to the public for 180 years.".
- Q20087513 abstract "The Captive Slave is a portrait painted by the artist John Simpson (1782–1847), which was first exhibited in London in 1827. It shows a man, manacled, on a stone bench and looking pensively or plaintively upward. Its subject matter, historical period, and mode of creation suggest the artist intended the painting as a statement against slavery. Until acquired by the Art Institute of Chicago in 2008, it had not been displayed to the public for 180 years.".
- The_Captive_Slave comment "The Captive Slave is a portrait painted by the artist John Simpson (1782–1847), which was first exhibited in London in 1827. It shows a man, manacled, on a stone bench and looking pensively or plaintively upward. Its subject matter, historical period, and mode of creation suggest the artist intended the painting as a statement against slavery. Until acquired by the Art Institute of Chicago in 2008, it had not been displayed to the public for 180 years.".
- Q20087513 comment "The Captive Slave is a portrait painted by the artist John Simpson (1782–1847), which was first exhibited in London in 1827. It shows a man, manacled, on a stone bench and looking pensively or plaintively upward. Its subject matter, historical period, and mode of creation suggest the artist intended the painting as a statement against slavery. Until acquired by the Art Institute of Chicago in 2008, it had not been displayed to the public for 180 years.".