Matches in DBpedia 2016-04 for { ?s ?p "Sergei Rachmaninoff's Cello Sonata in G minor, Op. 19, a sonata for cello and piano, was completed in November 1901 and published a year later. Rachmaninoff disliked calling it a cello sonata because he thought the two instruments were equal. Because of this, it is often referred to as Sonata in G minor for Cello and Piano. Most of the themes are introduced by the piano, while they are embellished and expanded in the cello's part."@en }
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- Cello_Sonata_(Rachmaninoff) abstract "Sergei Rachmaninoff's Cello Sonata in G minor, Op. 19, a sonata for cello and piano, was completed in November 1901 and published a year later. Rachmaninoff disliked calling it a cello sonata because he thought the two instruments were equal. Because of this, it is often referred to as Sonata in G minor for Cello and Piano. Most of the themes are introduced by the piano, while they are embellished and expanded in the cello's part.".
- Q2631105 abstract "Sergei Rachmaninoff's Cello Sonata in G minor, Op. 19, a sonata for cello and piano, was completed in November 1901 and published a year later. Rachmaninoff disliked calling it a cello sonata because he thought the two instruments were equal. Because of this, it is often referred to as Sonata in G minor for Cello and Piano. Most of the themes are introduced by the piano, while they are embellished and expanded in the cello's part.".
- Cello_Sonata_(Rachmaninoff) comment "Sergei Rachmaninoff's Cello Sonata in G minor, Op. 19, a sonata for cello and piano, was completed in November 1901 and published a year later. Rachmaninoff disliked calling it a cello sonata because he thought the two instruments were equal. Because of this, it is often referred to as Sonata in G minor for Cello and Piano. Most of the themes are introduced by the piano, while they are embellished and expanded in the cello's part.".
- Q2631105 comment "Sergei Rachmaninoff's Cello Sonata in G minor, Op. 19, a sonata for cello and piano, was completed in November 1901 and published a year later. Rachmaninoff disliked calling it a cello sonata because he thought the two instruments were equal. Because of this, it is often referred to as Sonata in G minor for Cello and Piano. Most of the themes are introduced by the piano, while they are embellished and expanded in the cello's part.".