Matches in DBpedia 2016-04 for { ?s ?p "Lucian Michael Freud OM CH (/ˈluː.si.ən ˈfrɔɪd/; 8 December 1922 – 20 July 2011) was a German-born British painter. Known chiefly for his thickly impastoed portrait and figure paintings, he was widely considered the pre-eminent British artist of his time. His works are noted for their psychological penetration and their often discomforting examination of the relationship between artist and model."@en }
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- Lucian_Freud abstract "Lucian Michael Freud OM CH (/ˈluː.si.ən ˈfrɔɪd/; 8 December 1922 – 20 July 2011) was a German-born British painter. Known chiefly for his thickly impastoed portrait and figure paintings, he was widely considered the pre-eminent British artist of his time. His works are noted for their psychological penetration and their often discomforting examination of the relationship between artist and model.".
- Q154594 abstract "Lucian Michael Freud OM CH (/ˈluː.si.ən ˈfrɔɪd/; 8 December 1922 – 20 July 2011) was a German-born British painter. Known chiefly for his thickly impastoed portrait and figure paintings, he was widely considered the pre-eminent British artist of his time. His works are noted for their psychological penetration and their often discomforting examination of the relationship between artist and model.".
- Lucian_Freud comment "Lucian Michael Freud OM CH (/ˈluː.si.ən ˈfrɔɪd/; 8 December 1922 – 20 July 2011) was a German-born British painter. Known chiefly for his thickly impastoed portrait and figure paintings, he was widely considered the pre-eminent British artist of his time. His works are noted for their psychological penetration and their often discomforting examination of the relationship between artist and model.".
- Q154594 comment "Lucian Michael Freud OM CH (/ˈluː.si.ən ˈfrɔɪd/; 8 December 1922 – 20 July 2011) was a German-born British painter. Known chiefly for his thickly impastoed portrait and figure paintings, he was widely considered the pre-eminent British artist of his time. His works are noted for their psychological penetration and their often discomforting examination of the relationship between artist and model.".