Matches in DBpedia 2016-04 for { ?s ?p "Jan Nasco (also Giovanni, Jhan) (c. 1510 – 1561) was a Franco-Flemish composer and writer on music, mainly active in Italy. He was the first director of the Veronese Accademia Filarmonica, and his writings, particularly a group of letters he wrote to the Academy in the 1550s, are important sources of information on performance practice regarding use of instruments in madrigals as well as motets."@en }
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- Jan_Nasco abstract "Jan Nasco (also Giovanni, Jhan) (c. 1510 – 1561) was a Franco-Flemish composer and writer on music, mainly active in Italy. He was the first director of the Veronese Accademia Filarmonica, and his writings, particularly a group of letters he wrote to the Academy in the 1550s, are important sources of information on performance practice regarding use of instruments in madrigals as well as motets.".
- Q3767806 abstract "Jan Nasco (also Giovanni, Jhan) (c. 1510 – 1561) was a Franco-Flemish composer and writer on music, mainly active in Italy. He was the first director of the Veronese Accademia Filarmonica, and his writings, particularly a group of letters he wrote to the Academy in the 1550s, are important sources of information on performance practice regarding use of instruments in madrigals as well as motets.".
- Jan_Nasco comment "Jan Nasco (also Giovanni, Jhan) (c. 1510 – 1561) was a Franco-Flemish composer and writer on music, mainly active in Italy. He was the first director of the Veronese Accademia Filarmonica, and his writings, particularly a group of letters he wrote to the Academy in the 1550s, are important sources of information on performance practice regarding use of instruments in madrigals as well as motets.".
- Q3767806 comment "Jan Nasco (also Giovanni, Jhan) (c. 1510 – 1561) was a Franco-Flemish composer and writer on music, mainly active in Italy. He was the first director of the Veronese Accademia Filarmonica, and his writings, particularly a group of letters he wrote to the Academy in the 1550s, are important sources of information on performance practice regarding use of instruments in madrigals as well as motets.".