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Matches in DBpedia 2016-04 for { ?s ?p "Irwin Kremen (born 1925) is an American artist who at 41 began making art while Director of the Duke University Graduate Program in Clinical Psychology, after earning a Ph.D. six years earlier in clinical psychology at Harvard University.Kremen's artwork mainly consists of non-representational collage, sculpture, and painting. In his later years he has defined a fourth grouping which he calls “multimodes.\" These are syntheses of the other three or sometimes of just two. Early on, he worked in the first three modes but in 1969, while on sabbatical in Florence, Italy as a Fellow at Villa I Tatti, the Harvard Center for Renaissance Studies, he began to compose collages of weathered paper and continued this for a decade. Becoming unhappy with conventional methods of gluing collage elements, he developed a conservational method of affixing the disparate pieces together via tiny hinges of Japanese paper.In the late 1970s, while continuing collage making, Kremen returned to three-dimensional work, now in iron and scrap steel, and by the later '90s entered a collaboration with the sculptor William Noland. Over the next decade they made monumentally sized works, three of which were exhibited in Kremen's 2007 retrospective at Duke University's Nasher Museum of Art. He also sporadically resumed work with acrylic paints and toward the late '90s began making painted panels below which were rows of collages arranged rhythmically.Among Kremen's major works is the Re'eh Series, a single work relative to the Holocaust, consisting of 11 narrative collages."@en }

• Irwin_Kremen abstract "Irwin Kremen (born 1925) is an American artist who at 41 began making art while Director of the Duke University Graduate Program in Clinical Psychology, after earning a Ph.D. six years earlier in clinical psychology at Harvard University.Kremen's artwork mainly consists of non-representational collage, sculpture, and painting. In his later years he has defined a fourth grouping which he calls “multimodes.\" These are syntheses of the other three or sometimes of just two. Early on, he worked in the first three modes but in 1969, while on sabbatical in Florence, Italy as a Fellow at Villa I Tatti, the Harvard Center for Renaissance Studies, he began to compose collages of weathered paper and continued this for a decade. Becoming unhappy with conventional methods of gluing collage elements, he developed a conservational method of affixing the disparate pieces together via tiny hinges of Japanese paper.In the late 1970s, while continuing collage making, Kremen returned to three-dimensional work, now in iron and scrap steel, and by the later '90s entered a collaboration with the sculptor William Noland. Over the next decade they made monumentally sized works, three of which were exhibited in Kremen's 2007 retrospective at Duke University's Nasher Museum of Art. He also sporadically resumed work with acrylic paints and toward the late '90s began making painted panels below which were rows of collages arranged rhythmically.Among Kremen's major works is the Re'eh Series, a single work relative to the Holocaust, consisting of 11 narrative collages.".