Matches in DBpedia 2016-04 for { ?s ?p "Chōbunsai Eishi (鳥文斎 栄之, 1756–1829) was a Japanese ukiyo-e artist. Born to a well-off samurai family that was part of the Fujiwara clan, Eishi left his employ with the Shogun Ieharu to pursue art. His early works were prints were mostly bijin-ga portraits of beautiful women in a style akin to Kiyonaga and Utamaro. He was a prolific painter, and from 1801 gave up print designing to devote himself to painting."@en }
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- Eishi abstract "Chōbunsai Eishi (鳥文斎 栄之, 1756–1829) was a Japanese ukiyo-e artist. Born to a well-off samurai family that was part of the Fujiwara clan, Eishi left his employ with the Shogun Ieharu to pursue art. His early works were prints were mostly bijin-ga portraits of beautiful women in a style akin to Kiyonaga and Utamaro. He was a prolific painter, and from 1801 gave up print designing to devote himself to painting.".
- Q2972127 abstract "Chōbunsai Eishi (鳥文斎 栄之, 1756–1829) was a Japanese ukiyo-e artist. Born to a well-off samurai family that was part of the Fujiwara clan, Eishi left his employ with the Shogun Ieharu to pursue art. His early works were prints were mostly bijin-ga portraits of beautiful women in a style akin to Kiyonaga and Utamaro. He was a prolific painter, and from 1801 gave up print designing to devote himself to painting.".
- Eishi comment "Chōbunsai Eishi (鳥文斎 栄之, 1756–1829) was a Japanese ukiyo-e artist. Born to a well-off samurai family that was part of the Fujiwara clan, Eishi left his employ with the Shogun Ieharu to pursue art. His early works were prints were mostly bijin-ga portraits of beautiful women in a style akin to Kiyonaga and Utamaro. He was a prolific painter, and from 1801 gave up print designing to devote himself to painting.".
- Q2972127 comment "Chōbunsai Eishi (鳥文斎 栄之, 1756–1829) was a Japanese ukiyo-e artist. Born to a well-off samurai family that was part of the Fujiwara clan, Eishi left his employ with the Shogun Ieharu to pursue art. His early works were prints were mostly bijin-ga portraits of beautiful women in a style akin to Kiyonaga and Utamaro. He was a prolific painter, and from 1801 gave up print designing to devote himself to painting.".