Matches in DBpedia 2016-04 for { ?s ?p "Bon Voyage (1944) is a short French language propaganda film made by Alfred Hitchcock for the British Ministry of Information. Although the film is short (26 minutes), and generally only of interest to Hitchcock completists, it is interesting for its use of two radically different interpretations of the same events, a technique not unlike that used by Akira Kurosawa in Rashomon (1950) and Fernando Meirelles in Cidade de Deus (2002)."@en }
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- Bon_Voyage_(1944_film) abstract "Bon Voyage (1944) is a short French language propaganda film made by Alfred Hitchcock for the British Ministry of Information. Although the film is short (26 minutes), and generally only of interest to Hitchcock completists, it is interesting for its use of two radically different interpretations of the same events, a technique not unlike that used by Akira Kurosawa in Rashomon (1950) and Fernando Meirelles in Cidade de Deus (2002).".
- Q489131 abstract "Bon Voyage (1944) is a short French language propaganda film made by Alfred Hitchcock for the British Ministry of Information. Although the film is short (26 minutes), and generally only of interest to Hitchcock completists, it is interesting for its use of two radically different interpretations of the same events, a technique not unlike that used by Akira Kurosawa in Rashomon (1950) and Fernando Meirelles in Cidade de Deus (2002).".
- Bon_Voyage_(1944_film) comment "Bon Voyage (1944) is a short French language propaganda film made by Alfred Hitchcock for the British Ministry of Information. Although the film is short (26 minutes), and generally only of interest to Hitchcock completists, it is interesting for its use of two radically different interpretations of the same events, a technique not unlike that used by Akira Kurosawa in Rashomon (1950) and Fernando Meirelles in Cidade de Deus (2002).".
- Q489131 comment "Bon Voyage (1944) is a short French language propaganda film made by Alfred Hitchcock for the British Ministry of Information. Although the film is short (26 minutes), and generally only of interest to Hitchcock completists, it is interesting for its use of two radically different interpretations of the same events, a technique not unlike that used by Akira Kurosawa in Rashomon (1950) and Fernando Meirelles in Cidade de Deus (2002).".