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Matches in DBpedia 2016-04 for { ?s ?p "\"Home\" is the second episode of the fourth season of the American science fiction television series The X-Files, which originally aired on the Fox Broadcasting Company network on October 11, 1996. Directed by Kim Manners, it was written by Glen Morgan and James Wong. \"Home\" is a \"Monster-of-the-Week\" story—a stand-alone plot unconnected to the overarching mythology of The X-Files. Watched by 18.85 million viewers, the initial broadcast had a Nielsen rating of 11.9. \"Home\" was the first episode of The X-Files to receive a viewer discretion warning for graphic content and the only to have carried a TV-MA rating upon broadcast. Critics were generally complimentary, and praised the disturbing nature of the plot; several made comparisons to the work of director David Lynch. Some reviewers nevertheless felt that the violent subject matter was excessive.The series centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson), who work on cases linked to the paranormal, called \"X-Files\". Mulder is a believer in the paranormal; the skeptical Scully was initially assigned to debunk his work, but the two have developed a deep friendship. In this episode, Mulder and Scully investigate the death of an infant with severe birth defects. Traveling to the small isolated town of Home, Pennsylvania, the pair meet the Peacocks, a family of deformed farmers who have not left their house in a decade. Initially, Mulder suspects that the brothers kidnapped and raped a woman to father the child, but the investigation uncovers a long history of incest involving the Peacocks' own mother.\"Home\" marks the return of writers Morgan and Wong, who left the show following its second season. The duo attempted to make their first episode upon return as ambitious and shocking as possible. They were inspired by real-life events, including a story from Charlie Chaplin's autobiography about an encounter in an English tenement home. The graphic content of the script attracted controversy from early in the production process. Commentators have identified themes within the episode that satirize the American dream, address the concept of globalization, and explore the nature of motherhood. It has been cited as a seminal episode of The X-Files by critics and crew members."@en }

• Home_(The_X-Files) abstract "\"Home\" is the second episode of the fourth season of the American science fiction television series The X-Files, which originally aired on the Fox Broadcasting Company network on October 11, 1996. Directed by Kim Manners, it was written by Glen Morgan and James Wong. \"Home\" is a \"Monster-of-the-Week\" story—a stand-alone plot unconnected to the overarching mythology of The X-Files. Watched by 18.85 million viewers, the initial broadcast had a Nielsen rating of 11.9. \"Home\" was the first episode of The X-Files to receive a viewer discretion warning for graphic content and the only to have carried a TV-MA rating upon broadcast. Critics were generally complimentary, and praised the disturbing nature of the plot; several made comparisons to the work of director David Lynch. Some reviewers nevertheless felt that the violent subject matter was excessive.The series centers on FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson), who work on cases linked to the paranormal, called \"X-Files\". Mulder is a believer in the paranormal; the skeptical Scully was initially assigned to debunk his work, but the two have developed a deep friendship. In this episode, Mulder and Scully investigate the death of an infant with severe birth defects. Traveling to the small isolated town of Home, Pennsylvania, the pair meet the Peacocks, a family of deformed farmers who have not left their house in a decade. Initially, Mulder suspects that the brothers kidnapped and raped a woman to father the child, but the investigation uncovers a long history of incest involving the Peacocks' own mother.\"Home\" marks the return of writers Morgan and Wong, who left the show following its second season. The duo attempted to make their first episode upon return as ambitious and shocking as possible. They were inspired by real-life events, including a story from Charlie Chaplin's autobiography about an encounter in an English tenement home. The graphic content of the script attracted controversy from early in the production process. Commentators have identified themes within the episode that satirize the American dream, address the concept of globalization, and explore the nature of motherhood. It has been cited as a seminal episode of The X-Files by critics and crew members.".