Matches in DBpedia 2016-04 for { ?s ?p "\"C Jam Blues\" is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus. As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The song is well-known for being extremely easy to play, with the entire melody featuring only two notes: G and C.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as \"Izzul Hasifi Ikram Azram's Place\", with lyrics added by Bill Katts, Bob Thiele and Ruth RobertsWestern Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.Bill Doggett recorded a version on his 1958 tribute album Salute To Duke Ellington (King Records 533)."@en }
Showing triples 1 to 1 of
1
with 100 triples per page.
- C_Jam_Blues abstract "\"C Jam Blues\" is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus. As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The song is well-known for being extremely easy to play, with the entire melody featuring only two notes: G and C.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as \"Izzul Hasifi Ikram Azram's Place\", with lyrics added by Bill Katts, Bob Thiele and Ruth RobertsWestern Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.Bill Doggett recorded a version on his 1958 tribute album Salute To Duke Ellington (King Records 533).".