Matches in DBpedia 2015-10 for { ?s ?p "War is a common theme in art and has inspired great works of art. Throughout history, most representations of war depict military achievements and often show significant battle scenes. However, in the 19th century a “turn” in the visual representation of war became noticeable. Artists started to show the disastrous aspects of war instead of its glorified events and protagonists. Such a perspective is best exemplified by Goya’s series, The Disasters of War (1810-1820, first published in 1863), and Otto Dix’s portfolio, Der Krieg (published in 1924). During World War Two, both traditions are present. For instance, Paul Nash’s Battle of Britain (1941) represents a scene of aerial combat between British and German fighters over the Channel. On the other hand, André Fougeron’s Street of Paris (1943) focuses on the impact of war and occupation on civilians.In connection to World War Two, the relations between art and war can be articulated around two main issues. First, art (and, more generally, culture) found itself at the centre of an ideological war. Second, during World War Two, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps, in death camps) and their works are a testimony to a powerful “urge to create”. Such creative impulse can be interpreted as the expression of self-preservation, a survival instinct in critical times."@en }
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- Art_and_World_War_II abstract "War is a common theme in art and has inspired great works of art. Throughout history, most representations of war depict military achievements and often show significant battle scenes. However, in the 19th century a “turn” in the visual representation of war became noticeable. Artists started to show the disastrous aspects of war instead of its glorified events and protagonists. Such a perspective is best exemplified by Goya’s series, The Disasters of War (1810-1820, first published in 1863), and Otto Dix’s portfolio, Der Krieg (published in 1924). During World War Two, both traditions are present. For instance, Paul Nash’s Battle of Britain (1941) represents a scene of aerial combat between British and German fighters over the Channel. On the other hand, André Fougeron’s Street of Paris (1943) focuses on the impact of war and occupation on civilians.In connection to World War Two, the relations between art and war can be articulated around two main issues. First, art (and, more generally, culture) found itself at the centre of an ideological war. Second, during World War Two, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps, in death camps) and their works are a testimony to a powerful “urge to create”. Such creative impulse can be interpreted as the expression of self-preservation, a survival instinct in critical times.".