Matches in DBpedia 2016-04 for { <http://books.google.com/books?vid=ISBN978-0-7148-5663-6> ?p ?o }
Showing triples 1 to 24 of
24
with 100 triples per page.
- books?vid=ISBN978-0-7148-5663-6 author "Foster, Hal".
- books?vid=ISBN978-0-7148-5663-6 editor "Francis, Mark".
- books?vid=ISBN978-0-7148-5663-6 editorFirst "Mark".
- books?vid=ISBN978-0-7148-5663-6 editorLast "Francis".
- books?vid=ISBN978-0-7148-5663-6 first "Hal".
- books?vid=ISBN978-0-7148-5663-6 isCitedBy Big_Painting_No._6.
- books?vid=ISBN978-0-7148-5663-6 isCitedBy Brushstrokes.
- books?vid=ISBN978-0-7148-5663-6 isCitedBy Brushstrokes_series.
- books?vid=ISBN978-0-7148-5663-6 isCitedBy Golf_Ball.
- books?vid=ISBN978-0-7148-5663-6 isCitedBy Little_Big_Painting.
- books?vid=ISBN978-0-7148-5663-6 isCitedBy Yellow_and_Green_Brushstrokes.
- books?vid=ISBN978-0-7148-5663-6 isbn "978-0-7148-5663-6".
- books?vid=ISBN978-0-7148-5663-6 last "Foster".
- books?vid=ISBN978-0-7148-5663-6 page "150".
- books?vid=ISBN978-0-7148-5663-6 page "26".
- books?vid=ISBN978-0-7148-5663-6 page "27".
- books?vid=ISBN978-0-7148-5663-6 publisher Phaidon_Press.
- books?vid=ISBN978-0-7148-5663-6 publisher "Phaidon".
- books?vid=ISBN978-0-7148-5663-6 quote "Begun in the autumn of 1965, Lichtenstein's series of Brushstroke paintings was initiated after he saw a cartoon in Charlton Comics' Strange Suspense Stories. 72 . One scene shows an exhausted yet relieved artist who has just completed a painting. This depicts two massive brushstrokes that take up the entire surface area. The absurdity of using a small paintbrush to create an image of two monumental brushstrokes was explored in many different variations. Transforming an expressive act that was mythologized for its immediacy and primal origins into a cartoon-like, mechanically produced-lookiing image. Lichtenstein created a reflexive commentary on gestural painting.".
- books?vid=ISBN978-0-7148-5663-6 quote "Begun in the autumn of 1965, Lichtenstein's series of Brushstroke paintings was initiated after he saw a cartoon in Charlton Comics' Strange Suspense Stories. 72 . One scene shows an exhausted yet relieved artist who has just completed a painting. This depicts two massive brushstrokes that take up the entire surface area. The absurdity of using a small paintbrush to create an image of two monumental brushstrokes was explored in many different variations. Transforming an expressive act that was mythologized for its immediacy and primal origins into a cartoon-like, mechanically produced-looking image, Lichtenstein created a reflexive commentary on gestural painting.".
- books?vid=ISBN978-0-7148-5663-6 quote "This depicts two massive brushstrokes that take up the entire surface area. The absurdity of using a small paintbrush to create an image of two monumental brushstrokes was explored in many different variations. Transforming an expressive act that was mythologized for its immediacy and primal origins into a cartoon-like, mechanically produced-looking image. Lichtenstein created a reflexive commentary on gestural painting.".
- books?vid=ISBN978-0-7148-5663-6 quote "Thus Lichtenstein seemed to challenge the oppositions on which pure painting was founded: high versus low, fine versus commercial, even abstract versus figurative. Consider Golf Ball , a circle outlined and dimpled in black on white – to signify shadow and light – on a light grey ground. A golf ball is a prime object of suburban banality, but here it also recalls the pristine plus-and-minus abstractions Mondrian painted forty-five years before. On one hand, the near abstraction of Golf Ball tests our sense of realism, which Lichtenstein shows to be a conventional code, a matter of signs that sometimes possess only scant resemblance to actual things in the other world. On the other hand, when a Mondrian begins to look like a golf ball, then the category of abstraction is surely in trouble too.".
- books?vid=ISBN978-0-7148-5663-6 title "Pop".
- books?vid=ISBN978-0-7148-5663-6 year "2010".