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DBpedia 2016-04

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Matches in DBpedia 2016-04 for { ?s ?p "Yes Sir, I Will was the 5th album released in March 1983 by anarcho-punk band, Crass. The album was essentially a bitter and virulent attack on then prime minister, Margaret Thatcher, and her government in the aftermath of the Falklands War and was set nearly wholly over a raging and an almost free-form improvised backing provided by the group's musicians.Many of the lyrics from this album are extracted from Penny Rimbaud's extended poem Rocky Eyed. The original vinyl release contained no banding between songs, thus presenting the contents as one long piece split over both sides, making it the longest punk song ever recorded (the CD release was tracked by individual song).Rimbaud summarised the album in an interview to Radio Free France :The boundaries increasingly ceased to have any relevance - prior to the Falklands War, one naively believed that there were separations between 'this' and 'that' and that if you dealt with 'this' then you could do 'that'... like songs - each song had its own little separate thing to deal with and Yes Sir, I Will is a statement about the fact that there isn't any separation - that it's all one and the same thing, that there is no single cause or single idea - there's no-one else to blame but yourself. That you can't say, \"Well let's now concentrate on the Northern Ireland problem\", \"let's now concentrate on the problem of sexual relationships\"... you can't do that - everything now is one major problem and that problem stems from yourself.Sleeve notes for the album include parts of Rimbaud's article The Pig's Head Controversy that originally appeared in the Crass-produced magazine International Anthem.The title of the record is ironic, taken from a news cutting reporting a conversation said to have taken place between Charles, Prince of Wales, and a badly burned soldier (Simon Weston) who had returned from the Falklands; \"Get well soon,\" the Prince said. And the heroic soldier replied \"Yes sir, I will\". Rimbaud, commenting on this, has said, \"That was the hook. That was such an audacious thing to do at the time. Especially given that one had to feel compassion for Simon Weston.\"The album was notable in the extreme disparity between the aggression of the music and the peacefulness of their message. In an interview about the nature of the anger that often crossed between passion and aggression on the album, Gee Vaucher said :If you're going to rant and rave or be angry about anything, one does it because you have a vision of the opposite. We've worked the way we have done for the last seven years because it seemed that people weren't informed about what was happening in the world on a simple basis, especially a lot of young people. The feeling I got from a lot of young people was that there was something drastically wrong with the world - technically they didn't know how that was operating and obviously we've offered them information which hopefully gave them the possibility of deciding for themselves, and a broader outlook on their own lives."@en }

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