Matches in DBpedia 2016-04 for { ?s ?p "Tomás Chávez Morado (December 29, 1914 – December 21, 2001) was an artist from Silao, Guanajuato, Mexico. His career entailed making art and teaching it. He taught at public schools, the Instituto Nacional de Bellas Artes y Literatura, and the Escuela de Artes Plásticas at the Universidad de Guanajuato, where he served as the director of the School of Visual Arts. His prominent civic installations include El Paraguas and the national shield carving displayed at the National Museum of Anthropology in Mexico City as well as 260 monumental eagle head sculptures marking the route of Hidalgo the Liberator (see Miguel Hidalgo y Costilla). Civic work aside, most of Tomás’ residential-scale work focuses on themes of maternal love, romance, animals and the people of Guanajuato. According to Mexican Life, Mexico's Monthly Review, the work of Chávez Morado \"creates visions of typical life in the streets, images of people one might find in the markets, at the ferias or inside the tenement patios, with a thematic emphasis on love and the mother and child.\""@en }
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- Tomás_Chávez_Morado abstract "Tomás Chávez Morado (December 29, 1914 – December 21, 2001) was an artist from Silao, Guanajuato, Mexico. His career entailed making art and teaching it. He taught at public schools, the Instituto Nacional de Bellas Artes y Literatura, and the Escuela de Artes Plásticas at the Universidad de Guanajuato, where he served as the director of the School of Visual Arts. His prominent civic installations include El Paraguas and the national shield carving displayed at the National Museum of Anthropology in Mexico City as well as 260 monumental eagle head sculptures marking the route of Hidalgo the Liberator (see Miguel Hidalgo y Costilla). Civic work aside, most of Tomás’ residential-scale work focuses on themes of maternal love, romance, animals and the people of Guanajuato. According to Mexican Life, Mexico's Monthly Review, the work of Chávez Morado \"creates visions of typical life in the streets, images of people one might find in the markets, at the ferias or inside the tenement patios, with a thematic emphasis on love and the mother and child.\"".