Matches in DBpedia 2016-04 for { ?s ?p "The Tokushi Yoron (読史余論, A Reading of History) is an Edo period historical analysis of Japanese history written in 1712 by Arai Hakuseki (1657-1725).Hakuseki's innovative effort to understand and explain the history of Japan differs significantly from previous chronologies which were created by other writers, such as Gukanshō (circa 1220) by Jien, whose work evidenced a distinctly Buddhist perspective; or Jinnō Shōtōki (1359) by Kitabatake Chikafusa, whose work evidenced a distinctly Shinto perspective; or Nihon Ōdai Ichiran (1652) by Hayashi Gahō, whose work evidenced a distinctly neo-Confucian perspective.Hakuseki's work avoids such easy categorization, and yet, he would have resisted being labeled non-Shinto, non-Buddhist, or non-Confucianist in his life or work. "@en }
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- Tokushi_Yoron comment "The Tokushi Yoron (読史余論, A Reading of History) is an Edo period historical analysis of Japanese history written in 1712 by Arai Hakuseki (1657-1725).Hakuseki's innovative effort to understand and explain the history of Japan differs significantly from previous chronologies which were created by other writers, such as Gukanshō (circa 1220) by Jien, whose work evidenced a distinctly Buddhist perspective; or Jinnō Shōtōki (1359) by Kitabatake Chikafusa, whose work evidenced a distinctly Shinto perspective; or Nihon Ōdai Ichiran (1652) by Hayashi Gahō, whose work evidenced a distinctly neo-Confucian perspective.Hakuseki's work avoids such easy categorization, and yet, he would have resisted being labeled non-Shinto, non-Buddhist, or non-Confucianist in his life or work. ".
- Q3007480 comment "The Tokushi Yoron (読史余論, A Reading of History) is an Edo period historical analysis of Japanese history written in 1712 by Arai Hakuseki (1657-1725).Hakuseki's innovative effort to understand and explain the history of Japan differs significantly from previous chronologies which were created by other writers, such as Gukanshō (circa 1220) by Jien, whose work evidenced a distinctly Buddhist perspective; or Jinnō Shōtōki (1359) by Kitabatake Chikafusa, whose work evidenced a distinctly Shinto perspective; or Nihon Ōdai Ichiran (1652) by Hayashi Gahō, whose work evidenced a distinctly neo-Confucian perspective.Hakuseki's work avoids such easy categorization, and yet, he would have resisted being labeled non-Shinto, non-Buddhist, or non-Confucianist in his life or work. ".