Matches in DBpedia 2016-04 for { ?s ?p "The French composer Hector Berlioz made four attempts at winning the Prix de Rome music prize, finally succeeding in 1830. As part of the competition, he had to write a cantata to a text set by the examiners. Berlioz's efforts to win the prize are described at length in his Memoirs. He regarded it as the first stage in his struggle against the musical conservatism represented by the judges, who included established composers such as Luigi Cherubini, François-Adrien Boieldieu and Henri Montan Berton. Berlioz's stay in Italy as a result of winning the prize also had a great influence on later works such as Benvenuto Cellini and Harold en Italie. The composer subsequently destroyed the scores of two cantatas (Orphée and Sardanapale) almost completely and reused music from all four of them in later works. There was a revival of interest in the cantatas in the late 20th century, particularly La mort de Cléopâtre, which has become a favourite showcase for the soprano and mezzo-soprano voice."@en }
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- Prix_de_Rome_cantatas_(Berlioz) abstract "The French composer Hector Berlioz made four attempts at winning the Prix de Rome music prize, finally succeeding in 1830. As part of the competition, he had to write a cantata to a text set by the examiners. Berlioz's efforts to win the prize are described at length in his Memoirs. He regarded it as the first stage in his struggle against the musical conservatism represented by the judges, who included established composers such as Luigi Cherubini, François-Adrien Boieldieu and Henri Montan Berton. Berlioz's stay in Italy as a result of winning the prize also had a great influence on later works such as Benvenuto Cellini and Harold en Italie. The composer subsequently destroyed the scores of two cantatas (Orphée and Sardanapale) almost completely and reused music from all four of them in later works. There was a revival of interest in the cantatas in the late 20th century, particularly La mort de Cléopâtre, which has become a favourite showcase for the soprano and mezzo-soprano voice.".
- Q501388 abstract "The French composer Hector Berlioz made four attempts at winning the Prix de Rome music prize, finally succeeding in 1830. As part of the competition, he had to write a cantata to a text set by the examiners. Berlioz's efforts to win the prize are described at length in his Memoirs. He regarded it as the first stage in his struggle against the musical conservatism represented by the judges, who included established composers such as Luigi Cherubini, François-Adrien Boieldieu and Henri Montan Berton. Berlioz's stay in Italy as a result of winning the prize also had a great influence on later works such as Benvenuto Cellini and Harold en Italie. The composer subsequently destroyed the scores of two cantatas (Orphée and Sardanapale) almost completely and reused music from all four of them in later works. There was a revival of interest in the cantatas in the late 20th century, particularly La mort de Cléopâtre, which has become a favourite showcase for the soprano and mezzo-soprano voice.".