Matches in DBpedia 2016-04 for { ?s ?p "The Sinking of the Lusitania (1918) is a silent animated short film by American cartoonist Winsor McCay. A work of propaganda, it is a re-creation of the never-photographed 1915 sinking of the British liner RMS Lusitania. At twelve minutes, it has been called the longest work of animation at the time of its release. The film is the earliest surviving animated documentary and serious, dramatic work of animation.In 1915, a German submarine torpedoed and sank the RMS Lusitania; 128 Americans were among the 1,198 dead. The event outraged McCay, but the newspapers of his employer William Randolph Hearst downplayed the tragedy, as Hearst was opposed to the US joining World War I. McCay was required to illustrate anti-war and anti-British editorial cartoons for Hearst's papers. In 1916, McCay rebelled against his employer's stance and began to make the self-financed, patriotic Sinking of the Lusitania on his own time.The film followed McCay's earlier successes in animation: Little Nemo (1911), How a Mosquito Operates (1912), and Gertie the Dinosaur (1914). These earlier films were drawn on rice paper, onto which backgrounds had to be laboriously traced; The Sinking of the Lusitania was the first film McCay made using the new, more efficient cel technology. McCay and his assistants spent twenty-two months making the film. His subsequent animation output suffered setbacks, as the film was not as commercially successful as his earlier efforts, and Hearst put increased pressure on McCay to devote his time to editorial drawings."@en }
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- The_Sinking_of_the_Lusitania abstract "The Sinking of the Lusitania (1918) is a silent animated short film by American cartoonist Winsor McCay. A work of propaganda, it is a re-creation of the never-photographed 1915 sinking of the British liner RMS Lusitania. At twelve minutes, it has been called the longest work of animation at the time of its release. The film is the earliest surviving animated documentary and serious, dramatic work of animation.In 1915, a German submarine torpedoed and sank the RMS Lusitania; 128 Americans were among the 1,198 dead. The event outraged McCay, but the newspapers of his employer William Randolph Hearst downplayed the tragedy, as Hearst was opposed to the US joining World War I. McCay was required to illustrate anti-war and anti-British editorial cartoons for Hearst's papers. In 1916, McCay rebelled against his employer's stance and began to make the self-financed, patriotic Sinking of the Lusitania on his own time.The film followed McCay's earlier successes in animation: Little Nemo (1911), How a Mosquito Operates (1912), and Gertie the Dinosaur (1914). These earlier films were drawn on rice paper, onto which backgrounds had to be laboriously traced; The Sinking of the Lusitania was the first film McCay made using the new, more efficient cel technology. McCay and his assistants spent twenty-two months making the film. His subsequent animation output suffered setbacks, as the film was not as commercially successful as his earlier efforts, and Hearst put increased pressure on McCay to devote his time to editorial drawings.".
- Q7764491 abstract "The Sinking of the Lusitania (1918) is a silent animated short film by American cartoonist Winsor McCay. A work of propaganda, it is a re-creation of the never-photographed 1915 sinking of the British liner RMS Lusitania. At twelve minutes, it has been called the longest work of animation at the time of its release. The film is the earliest surviving animated documentary and serious, dramatic work of animation.In 1915, a German submarine torpedoed and sank the RMS Lusitania; 128 Americans were among the 1,198 dead. The event outraged McCay, but the newspapers of his employer William Randolph Hearst downplayed the tragedy, as Hearst was opposed to the US joining World War I. McCay was required to illustrate anti-war and anti-British editorial cartoons for Hearst's papers. In 1916, McCay rebelled against his employer's stance and began to make the self-financed, patriotic Sinking of the Lusitania on his own time.The film followed McCay's earlier successes in animation: Little Nemo (1911), How a Mosquito Operates (1912), and Gertie the Dinosaur (1914). These earlier films were drawn on rice paper, onto which backgrounds had to be laboriously traced; The Sinking of the Lusitania was the first film McCay made using the new, more efficient cel technology. McCay and his assistants spent twenty-two months making the film. His subsequent animation output suffered setbacks, as the film was not as commercially successful as his earlier efforts, and Hearst put increased pressure on McCay to devote his time to editorial drawings.".