Matches in DBpedia 2016-04 for { ?s ?p "Teaching to See is a 2012 educational documentary film about graphic design and teaching of Inge Druckrey and some of her students and colleagues. Directed by Andrei Severny and produced by Edward Tufte, it was released in July 2012 and was screened in New York,Boston, Phoenix, Toronto, Reykjavík,Philadelphia,New Haven and was seen by thousands on the internet.The film covers various topics and principles of seeing, analyzing and executing. It provides insights into graphic design, typography, composition, form and visual arts education.In 2012 Matthew Carter wrote about the film: \"This film is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge Druckrey’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are 'memories of motion.' Above all, it is characteristic of Inge that in this examination of basic principles the word beautiful is used several times.\""@en }
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- Teaching_to_See abstract "Teaching to See is a 2012 educational documentary film about graphic design and teaching of Inge Druckrey and some of her students and colleagues. Directed by Andrei Severny and produced by Edward Tufte, it was released in July 2012 and was screened in New York,Boston, Phoenix, Toronto, Reykjavík,Philadelphia,New Haven and was seen by thousands on the internet.The film covers various topics and principles of seeing, analyzing and executing. It provides insights into graphic design, typography, composition, form and visual arts education.In 2012 Matthew Carter wrote about the film: \"This film is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge Druckrey’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are 'memories of motion.' Above all, it is characteristic of Inge that in this examination of basic principles the word beautiful is used several times.\"".