Matches in DBpedia 2016-04 for { ?s ?p "Susan Dupont Petigru King-Bowen (24 October 1824 – December 1875) was a 19th-century socialite, realist, fiction writer and novelist. Her work, which included Busy Moments of an Idle Woman (1853), Lily: A Novel (1855), Sylvia’s World: Crimes Which the Law Does Not Reach (1859), and Gerald Gray’s Wife (1864), focused on subversive portrayals of South Carolina aristocracy, in which men toyed with women’s affections, women plotted against one another’s best interests, and mothers forced daughters to choose wealth over romance. Due to her lack of in-text references to the American Civil War, slavery or the abolitionist movement, Sue’s work has been widely ignored among critics. It is only recently, as part of a renewed interest in 19th-century women writers, that her writing has begun to receive critical attention."@en }
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- Susan_Petigru_King abstract "Susan Dupont Petigru King-Bowen (24 October 1824 – December 1875) was a 19th-century socialite, realist, fiction writer and novelist. Her work, which included Busy Moments of an Idle Woman (1853), Lily: A Novel (1855), Sylvia’s World: Crimes Which the Law Does Not Reach (1859), and Gerald Gray’s Wife (1864), focused on subversive portrayals of South Carolina aristocracy, in which men toyed with women’s affections, women plotted against one another’s best interests, and mothers forced daughters to choose wealth over romance. Due to her lack of in-text references to the American Civil War, slavery or the abolitionist movement, Sue’s work has been widely ignored among critics. It is only recently, as part of a renewed interest in 19th-century women writers, that her writing has begun to receive critical attention.".
- Q16065332 abstract "Susan Dupont Petigru King-Bowen (24 October 1824 – December 1875) was a 19th-century socialite, realist, fiction writer and novelist. Her work, which included Busy Moments of an Idle Woman (1853), Lily: A Novel (1855), Sylvia’s World: Crimes Which the Law Does Not Reach (1859), and Gerald Gray’s Wife (1864), focused on subversive portrayals of South Carolina aristocracy, in which men toyed with women’s affections, women plotted against one another’s best interests, and mothers forced daughters to choose wealth over romance. Due to her lack of in-text references to the American Civil War, slavery or the abolitionist movement, Sue’s work has been widely ignored among critics. It is only recently, as part of a renewed interest in 19th-century women writers, that her writing has begun to receive critical attention.".