Matches in DBpedia 2016-04 for { ?s ?p "Presentation of Christ in the Temple is a small 1445 painting by the German artist Stefan Lochner, now in the Gulbenkian Foundation, Lisbon. It was once the wing of a diptych, the opposite, now separated, panel was a depiction of the Nativity. Its reverse shows the Stigmatisation of St. Francis. The panel is dedicated to St. Catherine and shows the purification of the Virgin. It is the first of two of Lochner's treatments of the subject - a larger painting completed two years later is kept at the Hessisches Landesmuseum, Darmstadt, Germany. The two panels are the only known dated paintings left by Lochner.The work seems derived from and influenced by Flemish art; similarity can be seen in the facial type given to Simeon, as well as certain elements of the architecture."@en }
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- Presentation_of_Christ_in_the_Temple_(Lochner,_1445) abstract "Presentation of Christ in the Temple is a small 1445 painting by the German artist Stefan Lochner, now in the Gulbenkian Foundation, Lisbon. It was once the wing of a diptych, the opposite, now separated, panel was a depiction of the Nativity. Its reverse shows the Stigmatisation of St. Francis. The panel is dedicated to St. Catherine and shows the purification of the Virgin. It is the first of two of Lochner's treatments of the subject - a larger painting completed two years later is kept at the Hessisches Landesmuseum, Darmstadt, Germany. The two panels are the only known dated paintings left by Lochner.The work seems derived from and influenced by Flemish art; similarity can be seen in the facial type given to Simeon, as well as certain elements of the architecture.".
- Q21084037 abstract "Presentation of Christ in the Temple is a small 1445 painting by the German artist Stefan Lochner, now in the Gulbenkian Foundation, Lisbon. It was once the wing of a diptych, the opposite, now separated, panel was a depiction of the Nativity. Its reverse shows the Stigmatisation of St. Francis. The panel is dedicated to St. Catherine and shows the purification of the Virgin. It is the first of two of Lochner's treatments of the subject - a larger painting completed two years later is kept at the Hessisches Landesmuseum, Darmstadt, Germany. The two panels are the only known dated paintings left by Lochner.The work seems derived from and influenced by Flemish art; similarity can be seen in the facial type given to Simeon, as well as certain elements of the architecture.".