Matches in DBpedia 2016-04 for { ?s ?p "Post Mortem is a one-act play in eight scenes, written in 1930 by Noël Coward. He wrote it after appearing in, and being moved by, an earlier play about World War I, Journey's End by R. C. Sherriff. As soon as he had completed writing it, however, he decided that it was suitable for publication but not for production.The play was first staged in a prisoner of war camp in Austria in 1944, and a television version was broadcast in 1968. It was not professionally presented on stage until 1992, two decades after Coward's death. Critical opinion has generally agreed with Coward about the effectiveness of the play onstage, although it includes some techniques that Coward used elsewhere with greater success."@en }
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- Post_Mortem_(Coward_play) abstract "Post Mortem is a one-act play in eight scenes, written in 1930 by Noël Coward. He wrote it after appearing in, and being moved by, an earlier play about World War I, Journey's End by R. C. Sherriff. As soon as he had completed writing it, however, he decided that it was suitable for publication but not for production.The play was first staged in a prisoner of war camp in Austria in 1944, and a television version was broadcast in 1968. It was not professionally presented on stage until 1992, two decades after Coward's death. Critical opinion has generally agreed with Coward about the effectiveness of the play onstage, although it includes some techniques that Coward used elsewhere with greater success.".
- Q7233660 abstract "Post Mortem is a one-act play in eight scenes, written in 1930 by Noël Coward. He wrote it after appearing in, and being moved by, an earlier play about World War I, Journey's End by R. C. Sherriff. As soon as he had completed writing it, however, he decided that it was suitable for publication but not for production.The play was first staged in a prisoner of war camp in Austria in 1944, and a television version was broadcast in 1968. It was not professionally presented on stage until 1992, two decades after Coward's death. Critical opinion has generally agreed with Coward about the effectiveness of the play onstage, although it includes some techniques that Coward used elsewhere with greater success.".