Matches in DBpedia 2016-04 for { ?s ?p "Not to be confused with Louise Bourgeois' similar sculptures: Spider or Crouching SpiderMaman (1999) is a bronze, stainless steel, and marble sculpture by the artist Louise Bourgeois. The sculpture, which depicts a spider, is among the world's largest, measuring over 30 ft high and over 33 ft wide (927 x 891 x 1024 cm). It includes a sac containing 26 marble eggs and its abdomen and thorax are made of ribbed bronze. The title is the familiar French word for Mother. The sculpture was created in 1999 by Bourgeois as a part of her inaugural commission of The Unilever Series (2000), in the Turbine Hall at London's Tate Modern. This original was created in steel, with an edition of six subsequent castings in bronze."@en }
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- Maman_(sculpture) abstract "Not to be confused with Louise Bourgeois' similar sculptures: Spider or Crouching SpiderMaman (1999) is a bronze, stainless steel, and marble sculpture by the artist Louise Bourgeois. The sculpture, which depicts a spider, is among the world's largest, measuring over 30 ft high and over 33 ft wide (927 x 891 x 1024 cm). It includes a sac containing 26 marble eggs and its abdomen and thorax are made of ribbed bronze. The title is the familiar French word for Mother. The sculpture was created in 1999 by Bourgeois as a part of her inaugural commission of The Unilever Series (2000), in the Turbine Hall at London's Tate Modern. This original was created in steel, with an edition of six subsequent castings in bronze.".
- Q180887 abstract "Not to be confused with Louise Bourgeois' similar sculptures: Spider or Crouching SpiderMaman (1999) is a bronze, stainless steel, and marble sculpture by the artist Louise Bourgeois. The sculpture, which depicts a spider, is among the world's largest, measuring over 30 ft high and over 33 ft wide (927 x 891 x 1024 cm). It includes a sac containing 26 marble eggs and its abdomen and thorax are made of ribbed bronze. The title is the familiar French word for Mother. The sculpture was created in 1999 by Bourgeois as a part of her inaugural commission of The Unilever Series (2000), in the Turbine Hall at London's Tate Modern. This original was created in steel, with an edition of six subsequent castings in bronze.".