Matches in DBpedia 2016-04 for { ?s ?p "Missa pro defunctis is a composition for four voices of the late Antoine Brumel, a Renaissance French composer. This work is notable for being the first Requiem setting to include an alternatim polyphonic setting of the Dies Iræ (a setting in which sections of plainchant alternate with sections in polyphony). In addition, it is one of the earliest surviving requiems (only Ockeghem's Missa pro defunctis is earlier."@en }
Showing triples 1 to 4 of
4
with 100 triples per page.
- Missa_pro_defunctis_(Brumel) abstract "Missa pro defunctis is a composition for four voices of the late Antoine Brumel, a Renaissance French composer. This work is notable for being the first Requiem setting to include an alternatim polyphonic setting of the Dies Iræ (a setting in which sections of plainchant alternate with sections in polyphony). In addition, it is one of the earliest surviving requiems (only Ockeghem's Missa pro defunctis is earlier.".
- Q17155770 abstract "Missa pro defunctis is a composition for four voices of the late Antoine Brumel, a Renaissance French composer. This work is notable for being the first Requiem setting to include an alternatim polyphonic setting of the Dies Iræ (a setting in which sections of plainchant alternate with sections in polyphony). In addition, it is one of the earliest surviving requiems (only Ockeghem's Missa pro defunctis is earlier.".
- Missa_pro_defunctis_(Brumel) comment "Missa pro defunctis is a composition for four voices of the late Antoine Brumel, a Renaissance French composer. This work is notable for being the first Requiem setting to include an alternatim polyphonic setting of the Dies Iræ (a setting in which sections of plainchant alternate with sections in polyphony). In addition, it is one of the earliest surviving requiems (only Ockeghem's Missa pro defunctis is earlier.".
- Q17155770 comment "Missa pro defunctis is a composition for four voices of the late Antoine Brumel, a Renaissance French composer. This work is notable for being the first Requiem setting to include an alternatim polyphonic setting of the Dies Iræ (a setting in which sections of plainchant alternate with sections in polyphony). In addition, it is one of the earliest surviving requiems (only Ockeghem's Missa pro defunctis is earlier.".