Matches in DBpedia 2016-04 for { ?s ?p "Mein Herze schwimmt im Blut (English: My heart swims in blood) BWV 199, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for soprano in Weimar between 1711 and 1714, and performed it on the eleventh Sunday after Trinity, 12 August 1714.The text was written by Georg Christian Lehms and published in Darmstadt in 1711 in the collection Gottgefälliges Kirchen-Opffer, on the general topic of a looking for redemption. The librettist wrote a series of alternating recitatives and arias, and included as movement 6 of 8 the third stanza of Johann Heermann's hymn \"Wo soll ich fliehen hin\". It is not known when Bach composed the work, but he performed it as part of his monthly cantata productions on the eleventh Sunday after Trinity, 12 August 1714. The solo voice is accompanied by a chamber orchestra of oboe, strings and continuo. The singer expresses in a style similar to Baroque opera the dramatic development from feeling like a \"monster in God's eyes\" to being forgiven. Bach revised the work for later performances, leading to three different editions in the Neue Bach-Ausgabe."@en }
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- Mein_Herze_schwimmt_im_Blut,_BWV_199 abstract "Mein Herze schwimmt im Blut (English: My heart swims in blood) BWV 199, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for soprano in Weimar between 1711 and 1714, and performed it on the eleventh Sunday after Trinity, 12 August 1714.The text was written by Georg Christian Lehms and published in Darmstadt in 1711 in the collection Gottgefälliges Kirchen-Opffer, on the general topic of a looking for redemption. The librettist wrote a series of alternating recitatives and arias, and included as movement 6 of 8 the third stanza of Johann Heermann's hymn \"Wo soll ich fliehen hin\". It is not known when Bach composed the work, but he performed it as part of his monthly cantata productions on the eleventh Sunday after Trinity, 12 August 1714. The solo voice is accompanied by a chamber orchestra of oboe, strings and continuo. The singer expresses in a style similar to Baroque opera the dramatic development from feeling like a \"monster in God's eyes\" to being forgiven. Bach revised the work for later performances, leading to three different editions in the Neue Bach-Ausgabe.".