Matches in DBpedia 2016-04 for { ?s ?p "Lush Life (also released as Sweet Slumber) is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.The album was awarded 4½ stars in an Allmusic review by Stephen Thomas Erlewine, who states: \"With its plush arrangements and unabashedly pretty melodies, Lush Life stands in stark contrast to everything else he cut in the '60s. There are no blues, no stabs at soul-jazz grooves, no hard bop — only sweet, sensitive renditions of romantic standards. Donaldson shone on ballads before, but it's nevertheless surprising how successful he is on this set of slow love songs. His tone is full and elegant — it's easy to get lost in his rich readings of these familiar melodies, as well as his slyly seductive improvisations\"."@en }
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- Lush_Life_(Lou_Donaldson_album) abstract "Lush Life (also released as Sweet Slumber) is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.The album was awarded 4½ stars in an Allmusic review by Stephen Thomas Erlewine, who states: \"With its plush arrangements and unabashedly pretty melodies, Lush Life stands in stark contrast to everything else he cut in the '60s. There are no blues, no stabs at soul-jazz grooves, no hard bop — only sweet, sensitive renditions of romantic standards. Donaldson shone on ballads before, but it's nevertheless surprising how successful he is on this set of slow love songs. His tone is full and elegant — it's easy to get lost in his rich readings of these familiar melodies, as well as his slyly seductive improvisations\".".