DBpedia – Linked Data Fragments

Matches in DBpedia 2016-04 for { ?s ?p "Like almost all other Niger–Congo languages, Sesotho is a tonal language, spoken with two basic tones, high (H) and low (L). The Sesotho grammatical tone system (unlike the lexical tone system used in Mandarin, for example) is rather complex and uses a large number of \"sandhi\" rules.However, the Sesotho system is by no means the most complicated, nor even one of the more complicated. For example, there exist African grammatical tone languages with much more than just two tonemes, and the existence of breathy voiced consonants in the Nguni and other languages greatly complicates their tonology. (In Sesotho there is absolutely no interaction whatsoever between the tonemes and phones of the syllables.) There are also very few instances of \"floating\" tones, and fewer grammatical constructs indicated purely by a change in tone. (The most common instances of this are rule 1 of the plain copulative and the formation of many positive participial sub-mood clauses.) The rules are generally not very dramatic either, and there is generally a very strong tendency to preserve underlying high tones. (For example, in the Nguni languages the underlying high tone of verb stems, subjectival concords, the noun pre-prefix, and/or objectival concords often shifts several syllables to the right, to the antepenultimate or penultimate syllable.)The tone of a syllable is carried by the vowel, or the nasal, if the nasal is syllabic. The tone carried by syllabic /l̩/ (and, in Northern Sotho and Setswana, syllabic ⟨r⟩ is left over from the elided vowel."@en }

• Sotho_tonology abstract "Like almost all other Niger–Congo languages, Sesotho is a tonal language, spoken with two basic tones, high (H) and low (L). The Sesotho grammatical tone system (unlike the lexical tone system used in Mandarin, for example) is rather complex and uses a large number of \"sandhi\" rules.However, the Sesotho system is by no means the most complicated, nor even one of the more complicated. For example, there exist African grammatical tone languages with much more than just two tonemes, and the existence of breathy voiced consonants in the Nguni and other languages greatly complicates their tonology. (In Sesotho there is absolutely no interaction whatsoever between the tonemes and phones of the syllables.) There are also very few instances of \"floating\" tones, and fewer grammatical constructs indicated purely by a change in tone. (The most common instances of this are rule 1 of the plain copulative and the formation of many positive participial sub-mood clauses.) The rules are generally not very dramatic either, and there is generally a very strong tendency to preserve underlying high tones. (For example, in the Nguni languages the underlying high tone of verb stems, subjectival concords, the noun pre-prefix, and/or objectival concords often shifts several syllables to the right, to the antepenultimate or penultimate syllable.)The tone of a syllable is carried by the vowel, or the nasal, if the nasal is syllabic. The tone carried by syllabic /l̩/ (and, in Northern Sotho and Setswana, syllabic ⟨r⟩ is left over from the elided vowel.".