Matches in DBpedia 2016-04 for { ?s ?p "La pravità castigata (\"Depravity Punished\") is a 1730 pastiche with music by multiple composers and an Italian language libretto by Antonio Denzio. It is the first 18th-century opera based on the Don Juan legend. It was also the first opera ever produced that retains the original setting and at least some of the original character names derived from early 17th-century dramatic prototypes of the Don Juan legend, the most important of which is Tirso de Molina's play El burlador de Sevilla y convidado de piedra. La pravità castigata was originally performed during Lent of 1730 in the opera theater of Franz Anton von Sporck in Prague, then revived with new music by Eustachio Bambini in Brno in 1734. Unfortunately, the Brno performance was regarded as the original production for decades, and a published transcription of the libretto (which is missing two scenes from the Prague production) identifies it incorrectly as an anonymous text first performed in Brno."@en }
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- La_pravità_castigata abstract "La pravità castigata (\"Depravity Punished\") is a 1730 pastiche with music by multiple composers and an Italian language libretto by Antonio Denzio. It is the first 18th-century opera based on the Don Juan legend. It was also the first opera ever produced that retains the original setting and at least some of the original character names derived from early 17th-century dramatic prototypes of the Don Juan legend, the most important of which is Tirso de Molina's play El burlador de Sevilla y convidado de piedra. La pravità castigata was originally performed during Lent of 1730 in the opera theater of Franz Anton von Sporck in Prague, then revived with new music by Eustachio Bambini in Brno in 1734. Unfortunately, the Brno performance was regarded as the original production for decades, and a published transcription of the libretto (which is missing two scenes from the Prague production) identifies it incorrectly as an anonymous text first performed in Brno.".