Matches in DBpedia 2016-04 for { ?s ?p "La Paix du ménage (Domestic Bliss) is a French novella by Honoré de Balzac, which was first published by Mame et Delaunay-Vallée in 1830 as one of the author's Scènes de la vie privée (Scenes from Private Life). It was republished in 1842 as part of Furne's edition of Balzac's La Comédie humaine.Dedicated to the author's dear niece, Valentine Surville, this vivid and incisive novella is constructed like a classical French play, observing the three unities of time (an hour), place (a ball) and subject (the seduction of a young woman). Contrary to what the title might lead one to expect, the work is not concerned with the married life of the French bourgeoisie; it is, rather, a scintillating depiction of high society under the First Empire."@en }
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- La_Paix_du_ménage abstract "La Paix du ménage (Domestic Bliss) is a French novella by Honoré de Balzac, which was first published by Mame et Delaunay-Vallée in 1830 as one of the author's Scènes de la vie privée (Scenes from Private Life). It was republished in 1842 as part of Furne's edition of Balzac's La Comédie humaine.Dedicated to the author's dear niece, Valentine Surville, this vivid and incisive novella is constructed like a classical French play, observing the three unities of time (an hour), place (a ball) and subject (the seduction of a young woman). Contrary to what the title might lead one to expect, the work is not concerned with the married life of the French bourgeoisie; it is, rather, a scintillating depiction of high society under the First Empire.".
- Q2734109 abstract "La Paix du ménage (Domestic Bliss) is a French novella by Honoré de Balzac, which was first published by Mame et Delaunay-Vallée in 1830 as one of the author's Scènes de la vie privée (Scenes from Private Life). It was republished in 1842 as part of Furne's edition of Balzac's La Comédie humaine.Dedicated to the author's dear niece, Valentine Surville, this vivid and incisive novella is constructed like a classical French play, observing the three unities of time (an hour), place (a ball) and subject (the seduction of a young woman). Contrary to what the title might lead one to expect, the work is not concerned with the married life of the French bourgeoisie; it is, rather, a scintillating depiction of high society under the First Empire.".