Matches in DBpedia 2016-04 for { ?s ?p "Kazem Ordoobadi is one of the last figures among the painters associated with the school founded in Iran by Mohammad Ghaffari, better known as Kamal-ol-Molk, one of Iran’s most celebrated master-painters. Kamal-ol-Molk stayed in France and Italy in the last years of the nineteenth century to study the works of Europe’s greatest artists. Kamal-ol-Molk style, inspired by his stay in Europe, is based on Realism and Naturalism. He founded the School of Fine Arts (Mostazrafe) in 1908 where European style of painting was taught together with Iran’s traditional painting. This was a breakthrough in the Iranian painting that for centuries was dominated mainly by miniatures used in illustration and decoration of books."@en }
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- Kazem_Ordoobadi abstract "Kazem Ordoobadi is one of the last figures among the painters associated with the school founded in Iran by Mohammad Ghaffari, better known as Kamal-ol-Molk, one of Iran’s most celebrated master-painters. Kamal-ol-Molk stayed in France and Italy in the last years of the nineteenth century to study the works of Europe’s greatest artists. Kamal-ol-Molk style, inspired by his stay in Europe, is based on Realism and Naturalism. He founded the School of Fine Arts (Mostazrafe) in 1908 where European style of painting was taught together with Iran’s traditional painting. This was a breakthrough in the Iranian painting that for centuries was dominated mainly by miniatures used in illustration and decoration of books.".
- Q6381004 abstract "Kazem Ordoobadi is one of the last figures among the painters associated with the school founded in Iran by Mohammad Ghaffari, better known as Kamal-ol-Molk, one of Iran’s most celebrated master-painters. Kamal-ol-Molk stayed in France and Italy in the last years of the nineteenth century to study the works of Europe’s greatest artists. Kamal-ol-Molk style, inspired by his stay in Europe, is based on Realism and Naturalism. He founded the School of Fine Arts (Mostazrafe) in 1908 where European style of painting was taught together with Iran’s traditional painting. This was a breakthrough in the Iranian painting that for centuries was dominated mainly by miniatures used in illustration and decoration of books.".