Matches in DBpedia 2016-04 for { ?s ?p "François Perrier (1590–1650), a French painter and etcher, is remembered for his two collections of prints after antique sculptures, the Segmenta nobilium signorum et statuarum quae temporis dentem invidium evasere (Paris, 1638), and Icones et segmenta...quae Romae adhuc extant (Paris, 1645); they provided visual repertories of classical models for generations of European artists and connoisseurs."@en }
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- François_Perrier_(painter) abstract "François Perrier (1590–1650), a French painter and etcher, is remembered for his two collections of prints after antique sculptures, the Segmenta nobilium signorum et statuarum quae temporis dentem invidium evasere (Paris, 1638), and Icones et segmenta...quae Romae adhuc extant (Paris, 1645); they provided visual repertories of classical models for generations of European artists and connoisseurs.".
- Q82566 abstract "François Perrier (1590–1650), a French painter and etcher, is remembered for his two collections of prints after antique sculptures, the Segmenta nobilium signorum et statuarum quae temporis dentem invidium evasere (Paris, 1638), and Icones et segmenta...quae Romae adhuc extant (Paris, 1645); they provided visual repertories of classical models for generations of European artists and connoisseurs.".
- François_Perrier_(painter) comment "François Perrier (1590–1650), a French painter and etcher, is remembered for his two collections of prints after antique sculptures, the Segmenta nobilium signorum et statuarum quae temporis dentem invidium evasere (Paris, 1638), and Icones et segmenta...quae Romae adhuc extant (Paris, 1645); they provided visual repertories of classical models for generations of European artists and connoisseurs.".
- Q82566 comment "François Perrier (1590–1650), a French painter and etcher, is remembered for his two collections of prints after antique sculptures, the Segmenta nobilium signorum et statuarum quae temporis dentem invidium evasere (Paris, 1638), and Icones et segmenta...quae Romae adhuc extant (Paris, 1645); they provided visual repertories of classical models for generations of European artists and connoisseurs.".