Matches in DBpedia 2016-04 for { ?s ?p "Elaine Reichek (born 1943) is a New York-based visual artist. Much of her work concerns the history of the embroidered sampler. Through her pieces of hand and machine embroidery, she addresses issues such as the craft/art divide, the nature of women's work, and the interplay of text and image. The connection between the pixel and the stitch, as differently gendered types of mark-making, is a continuing theme in her work."@en }
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- Elaine_Reichek abstract "Elaine Reichek (born 1943) is a New York-based visual artist. Much of her work concerns the history of the embroidered sampler. Through her pieces of hand and machine embroidery, she addresses issues such as the craft/art divide, the nature of women's work, and the interplay of text and image. The connection between the pixel and the stitch, as differently gendered types of mark-making, is a continuing theme in her work.".
- Q19665343 abstract "Elaine Reichek (born 1943) is a New York-based visual artist. Much of her work concerns the history of the embroidered sampler. Through her pieces of hand and machine embroidery, she addresses issues such as the craft/art divide, the nature of women's work, and the interplay of text and image. The connection between the pixel and the stitch, as differently gendered types of mark-making, is a continuing theme in her work.".
- Elaine_Reichek comment "Elaine Reichek (born 1943) is a New York-based visual artist. Much of her work concerns the history of the embroidered sampler. Through her pieces of hand and machine embroidery, she addresses issues such as the craft/art divide, the nature of women's work, and the interplay of text and image. The connection between the pixel and the stitch, as differently gendered types of mark-making, is a continuing theme in her work.".
- Q19665343 comment "Elaine Reichek (born 1943) is a New York-based visual artist. Much of her work concerns the history of the embroidered sampler. Through her pieces of hand and machine embroidery, she addresses issues such as the craft/art divide, the nature of women's work, and the interplay of text and image. The connection between the pixel and the stitch, as differently gendered types of mark-making, is a continuing theme in her work.".