Matches in DBpedia 2016-04 for { ?s ?p "Edward Franklin Albee III (/ˈɔːlbiː/ AWL-bee; born March 12, 1928) is an American playwright known for works such as The Zoo Story (1958), The Sandbox (1959), and Who's Afraid of Virginia Woolf? (1962). His works are often considered as well-crafted, realistic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. Younger American playwrights, such as Paula Vogel, credit Albee's daring mix of theatricality and biting dialogue with helping to reinvent the post-war American theatre in the early 1960s. Albee continues to experiment in works such as The Goat, or Who Is Sylvia? (2002)."@en }
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- Edward_Albee abstract "Edward Franklin Albee III (/ˈɔːlbiː/ AWL-bee; born March 12, 1928) is an American playwright known for works such as The Zoo Story (1958), The Sandbox (1959), and Who's Afraid of Virginia Woolf? (1962). His works are often considered as well-crafted, realistic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. Younger American playwrights, such as Paula Vogel, credit Albee's daring mix of theatricality and biting dialogue with helping to reinvent the post-war American theatre in the early 1960s. Albee continues to experiment in works such as The Goat, or Who Is Sylvia? (2002).".
- Q219420 abstract "Edward Franklin Albee III (/ˈɔːlbiː/ AWL-bee; born March 12, 1928) is an American playwright known for works such as The Zoo Story (1958), The Sandbox (1959), and Who's Afraid of Virginia Woolf? (1962). His works are often considered as well-crafted, realistic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. Younger American playwrights, such as Paula Vogel, credit Albee's daring mix of theatricality and biting dialogue with helping to reinvent the post-war American theatre in the early 1960s. Albee continues to experiment in works such as The Goat, or Who Is Sylvia? (2002).".