Matches in DBpedia 2016-04 for { ?s ?p "Cecilia Roser, who works under the name Ce Roser, was born in Philadelphia, Pennsylvania in 1930. Roser has been active in New York City as an artist since the 1960s. Ever since childhood, Roser had been painting and drawing. While studying in Berlin, Roser learned of a female artist named Käthe Kollwitz. Kollwitz, who worked until the day she died, was an inspiration to Roser. Remarking that she would like to live that way too, Roser proceeded to emphasize the need for young artists, especially women, to find a fitting predecessor and mentor.Roser studied under the Japanese calligrapher Hidai Nankoku (b. 1912) during his New York City visit. Roser later transferred the experience of rendering abstract characters on paper to painting on canvas. Although the experience with Hidai paid homage to her Asian ancestry, Roser’s work does not fall into the East Asian art tradition. According to Peter Townsend, Roser’s work seems “oriental only to those who don’t know oriental art.”In addition to Kollwitz and Hidai, Roser admired Emil Nolde's watercolors and the way Claude Monet transformed nature into paint. Hans Uhlmann, Charmion von Wiegand, and Sari Dienes also served as other mentors for her vivid, lively, and daringly delicate work."@en }
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- Ce_Roser abstract "Cecilia Roser, who works under the name Ce Roser, was born in Philadelphia, Pennsylvania in 1930. Roser has been active in New York City as an artist since the 1960s. Ever since childhood, Roser had been painting and drawing. While studying in Berlin, Roser learned of a female artist named Käthe Kollwitz. Kollwitz, who worked until the day she died, was an inspiration to Roser. Remarking that she would like to live that way too, Roser proceeded to emphasize the need for young artists, especially women, to find a fitting predecessor and mentor.Roser studied under the Japanese calligrapher Hidai Nankoku (b. 1912) during his New York City visit. Roser later transferred the experience of rendering abstract characters on paper to painting on canvas. Although the experience with Hidai paid homage to her Asian ancestry, Roser’s work does not fall into the East Asian art tradition. According to Peter Townsend, Roser’s work seems “oriental only to those who don’t know oriental art.”In addition to Kollwitz and Hidai, Roser admired Emil Nolde's watercolors and the way Claude Monet transformed nature into paint. Hans Uhlmann, Charmion von Wiegand, and Sari Dienes also served as other mentors for her vivid, lively, and daringly delicate work.".
- Q16091614 abstract "Cecilia Roser, who works under the name Ce Roser, was born in Philadelphia, Pennsylvania in 1930. Roser has been active in New York City as an artist since the 1960s. Ever since childhood, Roser had been painting and drawing. While studying in Berlin, Roser learned of a female artist named Käthe Kollwitz. Kollwitz, who worked until the day she died, was an inspiration to Roser. Remarking that she would like to live that way too, Roser proceeded to emphasize the need for young artists, especially women, to find a fitting predecessor and mentor.Roser studied under the Japanese calligrapher Hidai Nankoku (b. 1912) during his New York City visit. Roser later transferred the experience of rendering abstract characters on paper to painting on canvas. Although the experience with Hidai paid homage to her Asian ancestry, Roser’s work does not fall into the East Asian art tradition. According to Peter Townsend, Roser’s work seems “oriental only to those who don’t know oriental art.”In addition to Kollwitz and Hidai, Roser admired Emil Nolde's watercolors and the way Claude Monet transformed nature into paint. Hans Uhlmann, Charmion von Wiegand, and Sari Dienes also served as other mentors for her vivid, lively, and daringly delicate work.".