Matches in DBpedia 2016-04 for { ?s ?p "Apparatus theory, derived in part from Marxist film theory, semiotics, and psychoanalysis, was a dominant theory within cinema studies during the 1970s, following the 1960s when psychoanalytical theories for film were popular. It maintains that cinema is by nature ideological because its mechanics of representation are ideological and because the films are created to represent reality. Its mechanics of representation include the camera and editing."@en }
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- Apparatus_theory comment "Apparatus theory, derived in part from Marxist film theory, semiotics, and psychoanalysis, was a dominant theory within cinema studies during the 1970s, following the 1960s when psychoanalytical theories for film were popular. It maintains that cinema is by nature ideological because its mechanics of representation are ideological and because the films are created to represent reality. Its mechanics of representation include the camera and editing.".
- Q1415271 comment "Apparatus theory, derived in part from Marxist film theory, semiotics, and psychoanalysis, was a dominant theory within cinema studies during the 1970s, following the 1960s when psychoanalytical theories for film were popular. It maintains that cinema is by nature ideological because its mechanics of representation are ideological and because the films are created to represent reality. Its mechanics of representation include the camera and editing.".