Matches in DBpedia 2016-04 for { ?s ?p "Andrei Arsenyevich Tarkovsky (Russian: Андре́й Арсе́ньевич Тарко́вский; IPA: [ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj]; 4 April 1932 – 29 December 1986) was a Soviet and Russian film-maker, writer, film editor, film theorist, theatre and opera director.Tarkovsky's films include Ivan's Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975), and Stalker (1979). He directed the first five of his seven feature films in the Soviet Union; his last two films, Nostalghia (1983) and The Sacrifice (1986), were produced in Italy and Sweden, respectively. His work is characterized by long takes, unconventional dramatic structure, distinctly authored use of cinematography, and spiritual and metaphysical themes. His contribution to cinema was so influential that works done in a similar way are described as Tarkovskian.Ingmar Bergman said of Tarkovsky:\"Tarkovsky for me is the greatest (director), the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.\""@en }
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- Andrei_Tarkovsky abstract "Andrei Arsenyevich Tarkovsky (Russian: Андре́й Арсе́ньевич Тарко́вский; IPA: [ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj]; 4 April 1932 – 29 December 1986) was a Soviet and Russian film-maker, writer, film editor, film theorist, theatre and opera director.Tarkovsky's films include Ivan's Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975), and Stalker (1979). He directed the first five of his seven feature films in the Soviet Union; his last two films, Nostalghia (1983) and The Sacrifice (1986), were produced in Italy and Sweden, respectively. His work is characterized by long takes, unconventional dramatic structure, distinctly authored use of cinematography, and spiritual and metaphysical themes. His contribution to cinema was so influential that works done in a similar way are described as Tarkovskian.Ingmar Bergman said of Tarkovsky:\"Tarkovsky for me is the greatest (director), the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.\"".