Matches in DBpedia 2016-04 for { ?s ?p "Amorosa visione (1342, revised c. 1365) was a narrative poem by Boccaccio, full of echoes of the Divine Comedy and consisting of 50 canti in Terza rima. It tells of a dream in which the poet sees, in sequence, the triumphs of Wisdom, Earthly Glory, Wealth, Love, all-destroying Fortune (and her servant Death), and thereby becomes worthy of the now heavenly love of Fiammetta. The triumphs include mythological, classical and contemporary medieval figures. Their moral, cultural, and historical architecture was without precedent, and led Petrarch to create his own Trionfi on the same model. Among contemporaries Giotto and Dante stand out, the latter being celebrated above any other artist, ancient or modern."@en }
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- Amorosa_visione abstract "Amorosa visione (1342, revised c. 1365) was a narrative poem by Boccaccio, full of echoes of the Divine Comedy and consisting of 50 canti in Terza rima. It tells of a dream in which the poet sees, in sequence, the triumphs of Wisdom, Earthly Glory, Wealth, Love, all-destroying Fortune (and her servant Death), and thereby becomes worthy of the now heavenly love of Fiammetta. The triumphs include mythological, classical and contemporary medieval figures. Their moral, cultural, and historical architecture was without precedent, and led Petrarch to create his own Trionfi on the same model. Among contemporaries Giotto and Dante stand out, the latter being celebrated above any other artist, ancient or modern.".
- Q3614628 abstract "Amorosa visione (1342, revised c. 1365) was a narrative poem by Boccaccio, full of echoes of the Divine Comedy and consisting of 50 canti in Terza rima. It tells of a dream in which the poet sees, in sequence, the triumphs of Wisdom, Earthly Glory, Wealth, Love, all-destroying Fortune (and her servant Death), and thereby becomes worthy of the now heavenly love of Fiammetta. The triumphs include mythological, classical and contemporary medieval figures. Their moral, cultural, and historical architecture was without precedent, and led Petrarch to create his own Trionfi on the same model. Among contemporaries Giotto and Dante stand out, the latter being celebrated above any other artist, ancient or modern.".