Matches in DBpedia 2016-04 for { ?s ?p "15 Big Ones is the twentieth studio album by American rock group The Beach Boys released in July 1976. It comprises cover versions of rock and roll and rhythm and blues standards, along with a few new originals. The album was met with mixed reviews, but the highest sales the band had for a new studio album in many years, peaking at number 8 on the weekly Billboard albums chart. Three singles were issued: \"Rock and Roll Music\", \"It's O.K.\", and \"Everyone's in Love with You\". The first two charted on the Billboard Hot 100 at number 8 and number 29, respectively.With Blondie Chaplin and Ricky Fataar having left the Beach Boys since their previous album Holland (1973), 15 Big Ones was recorded at a time when the group were struggling with their creative direction. Responding to the unexpected success of the greatest hits compilation Endless Summer (1974), Brian Wilson, who was not credited as producer for any of the band's albums since Pet Sounds (1966), was brought into commandeering the 15 Big Ones sessions. Although the band implored his return, they resisted his desire for an underproduced sound. Upon its release, brothers Carl and Dennis Wilson voiced disappointment with the album, calling it \"unfinished\" and a \"bruising process\"."@en }
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- 15_Big_Ones abstract "15 Big Ones is the twentieth studio album by American rock group The Beach Boys released in July 1976. It comprises cover versions of rock and roll and rhythm and blues standards, along with a few new originals. The album was met with mixed reviews, but the highest sales the band had for a new studio album in many years, peaking at number 8 on the weekly Billboard albums chart. Three singles were issued: \"Rock and Roll Music\", \"It's O.K.\", and \"Everyone's in Love with You\". The first two charted on the Billboard Hot 100 at number 8 and number 29, respectively.With Blondie Chaplin and Ricky Fataar having left the Beach Boys since their previous album Holland (1973), 15 Big Ones was recorded at a time when the group were struggling with their creative direction. Responding to the unexpected success of the greatest hits compilation Endless Summer (1974), Brian Wilson, who was not credited as producer for any of the band's albums since Pet Sounds (1966), was brought into commandeering the 15 Big Ones sessions. Although the band implored his return, they resisted his desire for an underproduced sound. Upon its release, brothers Carl and Dennis Wilson voiced disappointment with the album, calling it \"unfinished\" and a \"bruising process\".".