Matches in DBpedia 2015-04 for { ?s ?p "Every director has a different style. Some need storyboards, some don’t, some hate them and can’t work with them. There’s some, obviously, when you’re doing big visual effects, you need visual pre-vis storyboards. We did a shot list and we couldn’t hire a storyboard artist, so what Brad, the cinematographer, and I would do is to go to the location and bring stand-ins or, in the case with the stunts, we had the video, and we bring the camera and lenses and we start blocking it out and start laying out the shots and we actually write them down. I like that, I like to visualize it in my head. Sometimes we would attach a photograph of the lensing or framing we wanted and… that’s what we’re following and that also helps with the visual effects. There aren’t that many but there are some complicated ones: when she’s flying with the gun into the door, that’s all visual effects. We were going to do a practicum but we ran out of time. So our visual effects coordinator – I turned to her and said, “I don’t have time to keep changing course, we have to go pure visual effects.” We were going to go with them on some of the shots and that’s how your best laid plan gets compromised or changed when you’re right there on the day. The last fight, too, when she’s being attacked by the big guy, we were really pushing to get the shots; we ran out of time and I had to really think on my feet. There were a couple of shots I missed, but it turned out great."@en }
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- Agent_Carter_(film) quote "Every director has a different style. Some need storyboards, some don’t, some hate them and can’t work with them. There’s some, obviously, when you’re doing big visual effects, you need visual pre-vis storyboards. We did a shot list and we couldn’t hire a storyboard artist, so what Brad, the cinematographer, and I would do is to go to the location and bring stand-ins or, in the case with the stunts, we had the video, and we bring the camera and lenses and we start blocking it out and start laying out the shots and we actually write them down. I like that, I like to visualize it in my head. Sometimes we would attach a photograph of the lensing or framing we wanted and… that’s what we’re following and that also helps with the visual effects. There aren’t that many but there are some complicated ones: when she’s flying with the gun into the door, that’s all visual effects. We were going to do a practicum but we ran out of time. So our visual effects coordinator – I turned to her and said, “I don’t have time to keep changing course, we have to go pure visual effects.” We were going to go with them on some of the shots and that’s how your best laid plan gets compromised or changed when you’re right there on the day. The last fight, too, when she’s being attacked by the big guy, we were really pushing to get the shots; we ran out of time and I had to really think on my feet. There were a couple of shots I missed, but it turned out great.".