Matches in DBpedia 2015-10 for { ?s ?p "The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the Ordinarium missae (short: mass). Towards the end of his life, mainly in 1748 and 1749, he finished composing new sections and compiling it into a complex, unified structure.Bach structured the work in four parts: No. 1 Missa No. 2 Symbolum Nicenum No. 3 Sanctus No. 4 Osanna, Benedictus, Agnus Dei et Dona nobis pacemThe four sections of the manuscript are numbered, and Bach's usual closing formula (S.D.G = Soli Deo Gloria) is found at the end of the Dona nobis pacem. Some parts of the mass were used in Latin even in Lutheran Leipzig, and Bach had composed them: five settings of the Missa, containing Kyrie and Gloria, and several additional settings of Kyrie and Sanctus. To achieve the Missa tota, a setting of the complete text of the mass, he combined his most elaborate Missa, the Missa in B minor, written in 1733 for the court in Dresden, and a Sanctus, written for Christmas of 1724. He added a few new compositions, but mostly derived movements from cantata movements, in the technique known as parody.The Mass is a compendium of his styles in vocal composition, containing Gregorian chant, "stile antico" reminiscent of Renaissance music and the Baroque concertante style of his own time, fugal writing and dances, arias and a movement for two four-part choirs. Formally, the mass is a missa solemnis. Similar to architecture of the period, Bach achieved a symmetry of parts, with the profession of faith (Credo) in the center and the movement Crucifixus in its center. Bach scored the work for five vocal parts (two sopranos, alto, tenor and bass, SSATB). While some choral movements are for only four parts, the Sanctus is scored for six voices (SSAATB), and the Osanna even for two four-part choirs. Bach called for a rich instrumentation of brass, woodwinds and strings, assigning specific varied obbligato parts to different instruments."@en }
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- Mass_in_B_minor_structure abstract "The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the Ordinarium missae (short: mass). Towards the end of his life, mainly in 1748 and 1749, he finished composing new sections and compiling it into a complex, unified structure.Bach structured the work in four parts: No. 1 Missa No. 2 Symbolum Nicenum No. 3 Sanctus No. 4 Osanna, Benedictus, Agnus Dei et Dona nobis pacemThe four sections of the manuscript are numbered, and Bach's usual closing formula (S.D.G = Soli Deo Gloria) is found at the end of the Dona nobis pacem. Some parts of the mass were used in Latin even in Lutheran Leipzig, and Bach had composed them: five settings of the Missa, containing Kyrie and Gloria, and several additional settings of Kyrie and Sanctus. To achieve the Missa tota, a setting of the complete text of the mass, he combined his most elaborate Missa, the Missa in B minor, written in 1733 for the court in Dresden, and a Sanctus, written for Christmas of 1724. He added a few new compositions, but mostly derived movements from cantata movements, in the technique known as parody.The Mass is a compendium of his styles in vocal composition, containing Gregorian chant, "stile antico" reminiscent of Renaissance music and the Baroque concertante style of his own time, fugal writing and dances, arias and a movement for two four-part choirs. Formally, the mass is a missa solemnis. Similar to architecture of the period, Bach achieved a symmetry of parts, with the profession of faith (Credo) in the center and the movement Crucifixus in its center. Bach scored the work for five vocal parts (two sopranos, alto, tenor and bass, SSATB). While some choral movements are for only four parts, the Sanctus is scored for six voices (SSAATB), and the Osanna even for two four-part choirs. Bach called for a rich instrumentation of brass, woodwinds and strings, assigning specific varied obbligato parts to different instruments.".