Matches in DBpedia 2015-10 for { ?s ?p "The Fantasy on Themes from Mozart's Figaro and Don Giovanni (German: Fantasie über Themen aus Mozarts Figaro und Don Giovanni), S.697, is an operatic paraphrase for solo piano by Franz Liszt, left as an unfinished manuscript upon his death, but completed by the pianist Leslie Howard and published in 1997. It has also been referred to as the "Figaro/Don Giovanni Fantasy" and is based on music from Mozart's operas The Marriage of Figaro and Don Giovanni. Liszt composed the work by the end of 1842 or early 1843, as he performed it at the latest in Berlin on 11 January 1843.Ferruccio Busoni published a much shorter performing version, the Fantasy on Two Motives from W. A. Mozart's The Marriage of Figaro, in 1912. Busoni's version, which does not include the music based on Don Giovanni, is often nicknamed the "Figaro Fantasy".Liszt's incomplete manuscript contains no title, no tempo indications, and very few dynamics and articulation marks. The ending is some few bars from complete. Liszt probably tried out an improvised solution in performance, judging by the rather insignificant gaps."@en }
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- Fantasy_on_Themes_from_Mozarts_Figaro_and_Don_Giovanni abstract "The Fantasy on Themes from Mozart's Figaro and Don Giovanni (German: Fantasie über Themen aus Mozarts Figaro und Don Giovanni), S.697, is an operatic paraphrase for solo piano by Franz Liszt, left as an unfinished manuscript upon his death, but completed by the pianist Leslie Howard and published in 1997. It has also been referred to as the "Figaro/Don Giovanni Fantasy" and is based on music from Mozart's operas The Marriage of Figaro and Don Giovanni. Liszt composed the work by the end of 1842 or early 1843, as he performed it at the latest in Berlin on 11 January 1843.Ferruccio Busoni published a much shorter performing version, the Fantasy on Two Motives from W. A. Mozart's The Marriage of Figaro, in 1912. Busoni's version, which does not include the music based on Don Giovanni, is often nicknamed the "Figaro Fantasy".Liszt's incomplete manuscript contains no title, no tempo indications, and very few dynamics and articulation marks. The ending is some few bars from complete. Liszt probably tried out an improvised solution in performance, judging by the rather insignificant gaps.".