Matches in DBpedia 2015-10 for { ?s ?p "Elbows Out is the name given to an Attic black-figure vase painter, active in Athens around 550/540 to 520 BC.His conventional name is derived from the strongly exaggerated gestures and odd anatomy of his dancing figures. Together with the Affecter, he is considered one of the mannerists of the black-figure style. He painted e.g. lip cups (which classifies him as a Little master) and neck amphorae, the latter in a special shape with a heavy ovoid body. His amphorae are decorated with several friezes. His band cups resemble works by Tleson and Lydos, but are more conventional in terms of the animal motifs. He also painted a lydion, a vase shape very rarely produced by Attic potters. He rarely painted mythological scenes, but had a penchant for erotic motifs. He is often seen as connected with the Affecter, but also with the Amasis Painter. The link with the latter should not be overestimated."@en }
Showing triples 1 to 1 of
1
with 100 triples per page.
- Elbows_Out abstract "Elbows Out is the name given to an Attic black-figure vase painter, active in Athens around 550/540 to 520 BC.His conventional name is derived from the strongly exaggerated gestures and odd anatomy of his dancing figures. Together with the Affecter, he is considered one of the mannerists of the black-figure style. He painted e.g. lip cups (which classifies him as a Little master) and neck amphorae, the latter in a special shape with a heavy ovoid body. His amphorae are decorated with several friezes. His band cups resemble works by Tleson and Lydos, but are more conventional in terms of the animal motifs. He also painted a lydion, a vase shape very rarely produced by Attic potters. He rarely painted mythological scenes, but had a penchant for erotic motifs. He is often seen as connected with the Affecter, but also with the Amasis Painter. The link with the latter should not be overestimated.".