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Matches in DBpedia 2015-10 for { ?s ?p "Cue for Saxophone is an album by pianist and composer Billy Strayhorn's Sextet comprising members of the Duke Ellington Orchestra recorded in 1959 and originally released on the British Felsted in 1959, then reissued by Vocalion in 1962.Strayhorn biographer David Hajdu has written that Cue for Saxophone was conceived by producer Stanley Dance as a Johnny Hodges small-group jazz album, much like the Hodges Lps that were being released by Verve Records in the 1950s and 1960s. It was released under Strayhorn's name (and Hodges was only listed under the pseudonym "Cue Porter") because Hodges was contractually prohibited from releasing albums on other record labels:"Since Hodges was under contract with Norman Granz to record exclusively for Verve Records, Dance found himself prohibited from releasing the album under Hodge's name. As an out, he titled it 'Cue for Saxophone,' a hint at the featured player's identity, and issued the record in the name of Billy Strayhorn's Septet. 'Billy didn't care,' said Dance. Indeed, as [drummer Oliver] Jackson explained, Strayhorn seemed to exert a minimum of creative effort on the project. 'He showed up late, and he didn't have anything planned....He knocked off whatever arrangements we used off the top of his head. He didn't seem to give much of a damn, and the thing had his name on it....I said, "Hey Strays, isn't this something, man? All those things you did for Duke, and all the people think Duke did 'em? And here there's finally a record with your own name on it, and it's really Rabs!"'" For the same reason, a 1958 recording of the Duke Ellington Orchestra live at the Blue Note club in Chicago was originally released on Roulette Records under Strayhorn's name as "Billy Strayhorn Live!!!""@en }

• Cue_for_Saxophone abstract "Cue for Saxophone is an album by pianist and composer Billy Strayhorn's Sextet comprising members of the Duke Ellington Orchestra recorded in 1959 and originally released on the British Felsted in 1959, then reissued by Vocalion in 1962.Strayhorn biographer David Hajdu has written that Cue for Saxophone was conceived by producer Stanley Dance as a Johnny Hodges small-group jazz album, much like the Hodges Lps that were being released by Verve Records in the 1950s and 1960s. It was released under Strayhorn's name (and Hodges was only listed under the pseudonym "Cue Porter") because Hodges was contractually prohibited from releasing albums on other record labels:"Since Hodges was under contract with Norman Granz to record exclusively for Verve Records, Dance found himself prohibited from releasing the album under Hodge's name. As an out, he titled it 'Cue for Saxophone,' a hint at the featured player's identity, and issued the record in the name of Billy Strayhorn's Septet. 'Billy didn't care,' said Dance. Indeed, as [drummer Oliver] Jackson explained, Strayhorn seemed to exert a minimum of creative effort on the project. 'He showed up late, and he didn't have anything planned....He knocked off whatever arrangements we used off the top of his head. He didn't seem to give much of a damn, and the thing had his name on it....I said, "Hey Strays, isn't this something, man? All those things you did for Duke, and all the people think Duke did 'em? And here there's finally a record with your own name on it, and it's really Rabs!"'" For the same reason, a 1958 recording of the Duke Ellington Orchestra live at the Blue Note club in Chicago was originally released on Roulette Records under Strayhorn's name as "Billy Strayhorn Live!!!"".