Matches in DBpedia 2015-10 for { ?s ?p "Changing Horses is the fifth album by the Scottish psychedelic folk group, the Incredible String Band (ISB), and was released in November 1969 on Elektra Records (see 1969 in music). The album saw the group continuing their use of unique instruments while integrating a standard musical structure. In addition, the album is seen as a transitional period in which the ISB shifted in musical textures, including early utilization of electric-based instruments.This album also marks the point when the band openly gave up the use of drugs and joined the Church of Scientology . "White Bird" expresses the members' changing views in a shift that would affect the band's musical direction in the next decade. The creative differences between Heron and Williamson also continued with the album. Heron wrote two tracks while Williamson penned four on the album, but, in the first occurrence featured on an ISB album, the two had joint credits on the song, "Dust Be Diamonds". The two, despite being bandmates, typically composed whole tracks individually, so as to maintain their own separate musical identity. As they progressed, the two began to have influence on another's compositions, specifically the instrumental arrangements. They also confirmed their partners Licorice McKechnie and Rose Simpson had upheld larger roles in the band. This, along with the album cover, assembled the official quartet.The album is dominated by two lengthy tracks, "White Bird", by Mike Heron, and "Creation", by Robin Williamson. The two songs comprise more than half of the 50 minute length of the album; lyrics are given only for the pair of songs. Changing Horses comes after the success the band achieved in 1968 with their albums, The Hangman's Beautiful Daughter and Wee Tam and the Big Huge. The ISB was one of the top folk groups in England, and, despite respectable chart listings, the album was generally received as a disappointment in comparison to the band's earlier work. Still, "Creation" and "White Bird" are deemed to be instrumental, and lyrical highlights of the band's music catalogue as they displayed several of the group's strengths."@en }
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- Changing_Horses_(Incredible_String_Band_album) abstract "Changing Horses is the fifth album by the Scottish psychedelic folk group, the Incredible String Band (ISB), and was released in November 1969 on Elektra Records (see 1969 in music). The album saw the group continuing their use of unique instruments while integrating a standard musical structure. In addition, the album is seen as a transitional period in which the ISB shifted in musical textures, including early utilization of electric-based instruments.This album also marks the point when the band openly gave up the use of drugs and joined the Church of Scientology . "White Bird" expresses the members' changing views in a shift that would affect the band's musical direction in the next decade. The creative differences between Heron and Williamson also continued with the album. Heron wrote two tracks while Williamson penned four on the album, but, in the first occurrence featured on an ISB album, the two had joint credits on the song, "Dust Be Diamonds". The two, despite being bandmates, typically composed whole tracks individually, so as to maintain their own separate musical identity. As they progressed, the two began to have influence on another's compositions, specifically the instrumental arrangements. They also confirmed their partners Licorice McKechnie and Rose Simpson had upheld larger roles in the band. This, along with the album cover, assembled the official quartet.The album is dominated by two lengthy tracks, "White Bird", by Mike Heron, and "Creation", by Robin Williamson. The two songs comprise more than half of the 50 minute length of the album; lyrics are given only for the pair of songs. Changing Horses comes after the success the band achieved in 1968 with their albums, The Hangman's Beautiful Daughter and Wee Tam and the Big Huge. The ISB was one of the top folk groups in England, and, despite respectable chart listings, the album was generally received as a disappointment in comparison to the band's earlier work. Still, "Creation" and "White Bird" are deemed to be instrumental, and lyrical highlights of the band's music catalogue as they displayed several of the group's strengths.".